Creating Your Identity With Jun Arnaiz of Neutria Creating Your Identity With Jun Arnaiz of Neutria It's not uncommon to find creatives venturing out into their own startups but it is a bit more unique to see them dive into the realm of health and natural supplements, a space that is highly competitive with mass-pharma and can take years of R&D and approval. So, what does it take to dive into this world? We sat down with Jun Arnaiz, a longtime friend and man of many talents, to learn a little bit about it. Jun got his start in the Toronto-nightlife scene, rising up as one of the city's best club videographers by night, while experimenting, formulating and testing supplements by day. As he got deeper into the nightlife world, his sights set onto DJ'ing, which has now grown his name even further as a certified nightlife double threat; but he didn't forget about the pharma. In 2023, Jun and his business partner Andrew Daye launched Neutria, an all-natural supplement brand rooted in ancient herbs and remedies to help those eager to excel do so in a clean and sustainable way. Jun has a lot to say about breaking down barriers to follow your passions. Read through the conversation below! Jun, you seem to have your hand in so many pots and never shy away from opportunities. How does someone like yourself approach all of these new things? Naturally, I'm a very curious person and I have a bunch of interests but I'm very careful to ensure if I do something, it's of quality. It can be daunting but anytime I'm exploring a new craft, I know it will require me to put myself out there no matter what because that's how you get new opportunities. It requires you to be vulnerable but it's necessary. Especially for artistic crafts, showing your work is the only way to get booked. If we reverse engineer that to figure out how to build the confidence to put yourself out there, it really comes down to putting in the reps. You have to practice. Once you really commit and practice, you build the competence in the craft and then you build the confidence. That confidence will be the fuel to put yourself out there in the world and that's when opportunities will come to you. Do you ever feel stuck diving into new things? Luckily not so much but it took time. I think the number one thing that stops people from taking on a new craft is imposter syndrome. People think "I'm not this person, so I'm not going to give it my 100%." I realized that the antidote to that is building up enough evidence for yourself that you do embody this person to the point where it can become your identity. For me, it was hard as a nightlife videographer, who's identity was so ingrained in that, when I wanted to start DJ'ing. I knew people might not take me seriously but I was serious. I didn't want to be a videographer that could also DJ. I wanted to be a DJ. In order to do that, I needed to be consistent. I needed to show up every day. I needed to do shows consistently. I try to embody this mindset with every new thing that I do. It wasn't even up until maybe a couple of months ago that I finally was confident enough to call myself a DJ because I felt like I wasn't there yet. I didn't have that identity yet but I was always pushing for it. Just remember, success isn't an overnight thing. You have to work on it every day but the only way to get there is to start. Can you talk about what pushed you to start Neutria? I worked in a pharmacy for five plus years, so I saw firsthand how people are so reliant on pharmaceuticals just to get by. We're at an age, societally, where people are becoming more health conscious. My partner, Andrew, and I have always been obsessed with finding ways to optimize our health, wellbeing and mindset. We were always experimenting with these different ingredients in college and university. So we've been exposed to the world of natural supplements and natural remedies. We never really had the intention when we were in our early twenties of doing this. It was just a passion to help us optimize our businesses at that time but we sensed this paradigm shift of people who want to excel in their careers or their crafts and find remedies to do so without harming themselves in the process by using synthetic drugs, like Adderall, or excessive melatonin or caffeine. So, we started Neutria and all three of our products are a response to a synthetic version. We have an all-natural sleep support product that uses herbs that have been used for thousands of years, melatonin-free and that's kind of like our counter to melatonin. We have a focus blend that's our counter to excessive caffeine or Adderall. We're not doing this to profit off of people. We're doing this to offer a sustainable solution to these specific needs that we saw. Lastly, what is one of the biggest learnings you've discovered so far as a brand owner? As an e-commerce brand, it's easy to dehumanize the business and diminish it to just numbers and digital screens. For the first half of our existence, Andrew and I lived on our screens and we weren't getting any sort of physical feedback from customers. It was all online-everything. So, one thing that we introduced was more events and collaborations with other brands to get out into the physical world and connect with and build our community. We started selling in local markets, sampling with groups and getting actual feedback on our products. The human connection was also important to help remind us of our purpose and why we started the business, which was very motivating. We really learned the importance of that macro view on why you do things and I think going physical, going offline as much as possible does that. Make sure to check out Jun and Neutria on Instagram and keep it locked to Pier Five for more conversations with creatives and entrepreneurs just like this!

Doing It Yourself With Glory Allan The path towards starting something new can be a daunting one and it's easy to be held back by the sheer number of different directions to go in, even without having taken that first step. But that first step - that's the most critical piece of the puzzle. For Toronto based, DIY fashion content creator Andre Chin aka Glory Allan, he has become comfortable with being uncomfortable taking that first step and it has taken him to incredible heights. With hundreds of thousands of followers tuning in for his do-it-yourself sewing and garment making tutorials, many of whom start with his pre-made garment kits, or eagerly waiting to cop his ready-to-wear namesake brand, Glory Allan has started to develop some incredible experience and we were excited to get the chance to stop by his studio space to chat with him about it all. Check out the conversation below! Hey Andre, great to link up! What have you been up to these days? Hey guys! Lots of stuff. I've been working on a bunch of new videos, including a new thrift concept that isn't my typical style but I'm excited and nervous for it. I'm also working on getting the cargo pants DIY content together. That'll be a big one. I've done parts of cargos like the pockets but the full pants video has been a lot of work to get together. Nice! We'll definitely talk about the cargos and DIY but tell us about the thrift video and that new style. It's basically me getting out to thrift stores and picking pieces I like. I haven't done much filming outside of my studio space so filming in public like that was super awkward but I think it'll turn out well. What pushed you to try this new video style? I think it's important for showing my growth and keeping things interesting for my audience. I think that's super important, especially for early YouTubers. You can't be afraid to put yourself out there. For this video I filmed on Friday, I watched the footage and it feels so cringe but I know I have to use the footage and I know I'll keep getting better. You need that mentality as a YouTuber. Maybe nobody watches it but maybe they do and you can get feedback and just keep working on it from that. You've grown quite the audience now on YouTube. What do you think the trick to that was? A few things! The first is that for my DIY videos, I've focused on a lot of non-trendy videos so that they stay relevant longer. I've also created content in a way that there's something for everyone at every skill level. So, I have basic tutorials like the bucket hats or bandanas that people can join in on when they're starting out and then I have the more complex tutorials like cargo pants. I have to think about what level my audience might be at when they're discovering me which is probably on the beginner side. So, I can't start them with cargo pants, I need to guide them through and have content for them every step of the way as they develop. From a reach stand point, I've also used TikTok well to drive people to my YouTube. The ability to go viral is so much higher on TikTok and then a lot of people will go from my TikTok videos to my longer form content on YouTube. Besides racking up views on your videos, you're also selling DIY kits and your own line of products. How does your content strategy as a creator play into selling those? The content strategy is super important. You can have the best products in the world but if you don't have a good content strategy to build the traffic and excitement, nobody will buy your products. The content is likely what people will interact with before your actual products, whether it's getting someone to buy something online or even drive someone into a store, so that first impression is everything. At the same time though, content can only get you so far. It's a funny thing you have to balance. If you spend too much time on the content but neglect the product and developing something people actually want, then you're on the opposite side of that spectrum which isn't good. Well, it seems like you've started to figure out that balance. Now that you're building quite the audience and moving a lot of sales volume, how does it feel? It's amazing, but honestly, I get hit with imposter syndrome so much because I don't have any formal sewing background or training with a camera or anything like that. How do you deal with the imposter syndrome? I try not to take it too seriously. I know it's always going to be there but I feel like everyone is a bit of an imposter. I just try to be grateful for where I am and if I have a hundred thousand people following me, I'm obviously doing something right. You're definitely doing something right! Before we let you go, do you have any advice to people just starting to develop their own creative business? Make sure you have a long term vision. Even if you're starting to see success now, with whatever you're working on, think about how it's going to make you money in ten years and if it will be able to still stand out in ten years. I know it sounds crazy and so far along but if you can think about ways you'll build more revenue streams and stay unique, that will be how you become very successful and always continue to grow. Love that! If you're looking to learn how to sew your own garments, make sure to check out Glory Allan on Instagram and Youtube and keep it locked to Pier Five for more conversations with emerging creatives!

norda x ciele "Cooper's Hawk" Launch Recap A couple weeks back, we were lucky enough to get the invite out to the launch party for the norda x ciele “Cooper’s Hawk” 001 sneaker. This shoe marked the first ever footwear project for Montreal based running brand ciele and an iconic milestone for norda in regards to footwear development, with special details like the Cooper’s Hawk inspired yellow Vibram midsole, something that Vibram has never approved to any other brand in the world due to concerns around it contrasting with the Vibram logo. The launch event consisted of a community gathering at Off The Hook, Montreal’s premier sneaker boutique, where guests got to try on the norda 001s, followed by a 7km trail run hosted by Run Rite. Post-run, everyone gathered back at Off The Hook for some refreshments and music. This event marked the first launch event for norda and the first time that many got to feel and try on the norda 001 in person so we were absolutely thrilled to be able to attend. Pier Five got the chance to chat with runners and the norda team about the launch and even laced up the norda 001s to join the Run Rite run club for what was a very fun and challenging hike through the famed Mont Royal park in the plateau of Montreal. The energy was at an all time high, everyone’s feet were more comfortable than ever, and it’s safe to say that this evening solidified norda as a force to be reckoned with both in the running and lifestyle footwear space. Scroll down to watch the official event recap video filmed and edited by Pier Five, as well as check out photos from the event and run. Swipe through the slideshow for photos. To learn more about the norda x ciele “Cooper’s Hawk” 001 and purchase a pair for yourself, head to norda’s website and keep it locked to Pier Five for more stories and interviews with our favourite designers, entrepreneurs, creators, brands and more.

A Conversation With Kyron Warrick aka Gotsweige Montreal based creative entrepreneur and modern renaissance man, Kyron Warrick, also known by his social channels Gotsweige, has created a name for himself as one of Canada’s fastest growing talents in fashion. As an advocate of the “don’t knock it until you try it” mentality, Kyron has made a strong effort to explore all facets of the fashion industry including styling, creative consulting for brands, content creation, product design and modelling, to develop his skills, identify what he loves and put one-hundred percent of his energy into his success. Now after nearly a decade as a Fashion Youtuber, an impressive following on Instagram and a growing portfolio of impressive clients, Kyron is on a roll and showing no signs of slowing down. Before he outgrows us all, we got a chance to link up with Kyron in his hometown of Montreal to discuss his come up, life as a YouTuber, the need for supporting local brands and never being afraid of what you love and then of course, we had to shoot some street style pics and break down his fits. You’ve been on YouTube for nearly 10 years now. What has that journey been like? It’s kind of crazy that it’s been this long. The first five years were more casual for me but the last five, I have been really focused. Content creation was something I could really take into my own hands which I liked. A lot of fashion is actually slow moving and there’s a lot of waiting around. With YouTube, I didn’t have to do that. I could make content, have fun and create new opportunities for myself through that. You’ve been really ramping up the amount of content lately and the channel has been growing at a really consistent pace. What are 5 tips you’d give to aspiring content creators to increase their success on YouTube? Consistency is definitely the biggest thing. I know people say this a lot but it’s really true. Once I got out of school and could start putting more time into content, things really started progressing. I saw the results of consistency first hand. Have your own thoughts. People will consume your content if there are your own thoughts throughout. Be inspired but make it your own. Do it because you like it and not because you’re looking for validation or growth. Know yourself. Understand what you’re good at and what you’re not good at. Once you identify your strengths, you can go full force into that. On the note of making things your own, your style has always been very unique. Did you ever face criticism for doing things a little differently? Definitely. In high school, while I did have a bunch of friends, people definitely kind of looked at me as the weird kid. I was the only person that I knew who was into fashion but didn’t let that bother me. I was so focused on learning about the industry that I didn’t care about what people thought. One of your more popular content series highlights low-key/up & coming streetwear brands. Why is shining a light on these smaller/local brands so important to you? Any you’d want to shout out today? When I was coming up, I always wished there were people that would shout me out and help me get exposure so now that I have a bit of an audience, I want to be able to be that person for others. Starting from zero is really tough so I want to help lift those people up. I also think that a lot of these brands are really cool and it’s sustainable for me to consume as well because it’s often a bit more affordable and I like knowing that my money is going to someone local and not just into the pockets of big corporations. One of the brands I really love is Wun-Off, they do a lot of pop-culture installments and have a philanthropic side to the brand as well. They recently dropped the “Covid Ruined My Spring Break” hat and used proceeds to buy toys for children in need. installments. Just did the covid ruined my spring break trucker. Grimey MTL is another one I’m really into as well. It’s a pretty common progression for content creators to start their own brands. You’ve done collabs with some in the past but would you ever consider starting your own brand? It’s definitely something that I’m thinking about. Through working with so many others, I’ve learned a lot about what I would need to put into starting my own brand and what I would and wouldn’t want it to be about. A lot of creators are making merch and I definitely don’t want my stuff to be just that. I think about this as a long term play. I won’t be doing Youtube when I’m 40 so if it’s just merch then it ends when Youtube ends. I want my brand to be something that can grow with me and outlive things that I might be doing now. Let’s talk about style now. How would you describe your personal style? What are you wearing these days? My style is very situational based but is often a combination of lively vintage 70’s style and darker silhouettes from brands like Rick Owens. I like to mix bright and dark together. Your style has followed a number of trends, from hype, to sneakerhead to luxury. Looking back on it all, what do you think were some of your best and worst moments in your fashion career thus far? I think my best moment, and potentially also my worst, was the Pyrex-Hood By Air phase. I really wasn’t aware of all that it represented. I was super impressionable, like all kids on the internet were, but it was good for me to go through that and start experimenting with things. It helped me start to really learn about what I do and don’t like. It also exposed me to some black designers who are now making huge waves. (break down Kyron’s fit with pics and labels of the items/brands) Do you think Montreal was integral in developing your style and business? I used to think that I had to get out of Montreal to make it but the internet has so much power so I have always been able to tap into cultures and people around the world without leaving. Montreal is also great as well though. It has given me so many opportunities and really shaped who I am today. In addition, whenever I go visit my family in NY or Philly I can bring that different perspective too which I think plays to my advantage. Overall, Montreal really is a power city and I think that a few more icons coming out of here will be big for putting it on the map. Justin Saunders [JJJound] is doing a lot for the city. I think a big musical figure would be huge too. Totally agree! Lastly, what's next for you? Honestly, I’m taking things day by day. Whatever I enjoy, I’ll work on. The brand is definitely in the works but I don’t have a launch date. I’m going to work on getting even more opportunities in styling as well and just see where things go. And of course, more video content! Make sure to follow Kyron Warrick on Instagram and YouTube to follow his journey and get updates on all of his new work and don’t forget to keep it locked to Pier Five for more interviews and stories with the coolest entrepreneurs, designers, artists, activists and more.

Making It Personal w/ Watch Parts Motorcycles by Pier Five Staff Writer Are you a fan of watches, art, sneakers and/or vinyl toys? If you’ve answered yes to any or all of the above then you very well might be into sculpture artist Dan Tanenbaum, aka Watch Parts Motorcycles. Over the last ten years, Dan has been honing his craft meshing watch parts and pop culture to create some of the wildest sculptures out there. With no two pieces being the same, Dan has created hundreds of watch part encrusted works for collectors, gallery curators, friends and family and celebrities such as rapper Chief Keef and DJ Steve Aoki. Dan has also amassed an impressive following of nearly one hundred thousand people on social media. With an attention to detail that is unmatched and a unique style, each of Dan’s sculptures come with a story. His work is revered by many and coveted by collectors, sneakerheads, artists and the like around the world. Dan started his career as an art director in his twenties and moved on to become a serial tech entrepreneur in his thirties which he still does full time. Early after the transition to tech, Dan started feeling his creative side taking a back seat and sought out to change that, leading to what is now a major endeavour in the art space. “I’ve always had art in my bones and once I stopped working as an art director, I felt myself missing that ability to create and design in that way.” Dan explains. “Then one day I took a trip out to one of my watch dealers in London [Ontario] and came across this box of hundreds of old watch pieces which the dealer said was his box of garbage… so I was like “I’ll take it!” While some of Dan’s most famous sculptures today are his watch encrusted Kaws and KidRobot Dunny figures, it didn’t originally start there. He initially used the pieces he sourced to make cufflinks and then graduated to, you guessed it, mini motorcycle sculptures which is where the name Watch Parts Motorcycles came from. “Once I started gaining traction from the motorcycles, I thought that was it. I was getting really immersed in the motorcycle groups and it was so cool seeing what these pieces meant to some of those people” Dan explained. “Besides using the art as an escape, I think the reveal and seeing the buyer connect with the piece was what I really loved about this and made me keep going”. From day one, Dan has focused on making sculptures that hold a lot of meaning and sentimental value. His favourite sculptures to make are the ones that are customized specially for the collector and this is why every piece that Dan makes, other than his recurring Time Bomb series, is made to order and a unique one-of-one. “I love consulting with a collector to make something relevant to their life.” Dan says. “Oftentimes, I’ll get messages for a Dunny or a Jordan sneaker but I’ll ask them about what else they collect and see if we can think of something that will be more personal to them.” Most recently, Dan encrusted a ski boot for a father to remind them of their time on the slopes and before that, a three foot tall Star Wars stormtrooper to add to an LA collector’s 8-piece stormtrooper collection from artists around the world. In addition, Dan likes to take personalization to another level by often including special watch parts into the piece. Whether it’s a dial from a client’s childhood watch or a strap that belonged to their grandparent, Dan will always go the furthest to make each piece as tailored to the customer as possible. What does a new tailored suit or a handmade bag have in common with Dan’s art pieces? For all of them, there’s always an amazing feeling that comes with getting something that you know took countless hours to make specially for you. From the initial consultation to the documented journey with Dan as he creates a piece for you and only you, the work of Watch Parts Motorcycles is almost more experience than art. “While I might go into the studio and work for four hours at a time without any breaks, I do try to keep the buyer in the loop. I think it’s cool to document the process and I think it adds a lot of value to the final product.” Dan explains about his works. Most of the time, it’s even hard for Dan to part ways with his work after it’s completed. “The hardest part for me is letting it go. Once they’re gone they’re gone.” Dan explains, thinking about some of his recent creations. “I’ve always marvelled at the idea of making multiples so that I could keep one but I don’t think I ever would.” he continues. So, if you own one of Dan’s pieces, consider yourself lucky because he likely had a tough time handing it over. If you don’t, the first thing to do is check out his socials and follow along as Dan encrusts the world in millions of watch parts, one piece at a time. Who knows, maybe one day he’ll turn that Mickey Mouse watch from your childhood trip to Disney World into the coolest thing you’ll ever place on your shelf. For more on Watch Parts Motorcycles, check out Dan’s Instagram below and keep it locked to Pier Five for more stories and interviews with the best in fashion, art, business, food & more. Watch Parts Motorcycles Instagram

Dancing Through The Yarn With Trish Andersen Follow your gut and take chances. It will take you everywhere. Such is the case for Georgia based fiber artist, Trish Andersen, whose tufting work has caught the attention of the masses. After over a decade-long career working in a corporate design job in New York, Trish dropped everything to focus on a solo freelance career and follow her entrepreneurial spirit. Years later, after taking a hard look at her jobs and deciding she wanted even more independence, Trish would drop her client work, move back home to Georgia and pursue a daring career as a solo fine artist in rug tufting, a very niche art form that she had little knowledge of at the time; but something about it just felt right. Fast forward to today, Trish is one of the best known tufting fine artists in the game, appealing to the fine art and interior experts all the way to streetwear heads and hypebeasts. All of this success is attributed to Trish’s ability to keep a level head, follow her gut and never stop exploring and we got the chance to go through all of this in a very special conversation. Hey Trish! The first question we have for you is, what was it like moving from New York back to Georgia. It was definitely a little scary because there’s so much opportunity in New York but it just felt right for me. Turns out, Dalton, which is only a few hours away from Savannah where I live now, is the rug capital of the world so the fit isn’t so bad [laughs]. They produce something like 80% of the world’s rugs there which is insane. Wow that’s wild! What do you think it was about tufting that got you hooked (no pun intended)? Tufting is super free flowing with the gun because you can go in any direction you want. You can really jump around your canvas and it was like painting for me which I love. It’s like a dance working with the gun. It also lets me focus on the fine art more and then I can bring in the functional aspect, like with the line of products I have inspired by my fine art, such as the wool rugs and runner rugs, as I want. One of our first discoveries of your work was actually the Runner Rug through Hidden NY, a curation mood board catering to art and streetwear fashion enthusiasts. How does it feel to see your work catch the attention of subcultures like that? Honestly, it blows my mind! I made the runner rug with no intention of selling it. I thought it was cool but not that cool [laughs]. I had no idea that it would catch the attention of consumers in these other groups and I never cared about what people were going to think of it when I made it but it’s really cool to see everyone so into this art form and the pieces that I make. It’s very hard to always fight that evil voice in your head asking “will people like it?” or “is it good enough to share?” but I think because I got into this just for me, I’ve been able to get away from that voice. I’m constantly trying to remind myself to just make what I want to see in the world and tell myself that there are people out there who will be into what I make and eventually I’ll find them. Very true and clearly there are a lot of people who are liking what you are putting out. How did it feel, as someone who’s been making rugs for so long, to see so many people get into rug making during covid? I think it’s super cool. I’m a big “community over competition” kind of person. The process for me has been so beneficial and it’s really great to see other people embracing it. Everyone has their own voice and I think there’s room for us all. It’s been super cool to see how people like Tim who runs tuftinggun.com has grown such a big community and business in the last two years and how social media has really helped it take off. At the end of the day, if we can all add some more softness and joy to the world during quarantine then that’s amazing! What’s your design process like? Do you typically draw things out first and have materials/colours in mind? It’s a little bit of planning and a little bit of free flow. I usually sketch out designs on Procreate which I love. I always had some trouble sketching on paper so working on Procreate on my iPad is amazing and it lets me scale designs which is super helpful. For the colors, I’ll usually have a palette in mind but I'll pull all the colours I think I'm going to use and then visualize them and move them around. Once I’m working on the canvas, I really try to move feely and respond to the piece in the moment. If I plan colours but then don’t think I want to use them, I’ll change them. It’s definitely like a dance. I also like, however, that you have to be decisive as much as it is free flowing. It’s always a challenge because you can only pull out things you don't like so many times before the backing is compromised so it's a mix of free and calculated. How many rolls of yarn do you think you have gone through in the last 4 years? Ha! I have no idea. It must be thousands. I’ll use all different types of wool and I’ll source yarns everywhere. It’s all a precious exercise of locating yarns. I’m using so many different colours and materials which I think creates great texture. Back in September you launched your first reproduced collection which gave general consumers the chance to buy your work. How was that experience for you and were there any learnings that you’ll take with you for future releases? So far the feedback has been really good and the experience has been great. I set things up for the e-comm site so that the orders go out to a factory that makes and ships the items so luckily I don’t have to deal with that. I am still getting familiar with how to handle the customer support side of things the best way possible but so far so good. I think one of the biggest learnings was really around, once everything launched, seeing how much work it can all be for one person and understanding the importance of having a good setup throughout. If I was packing and shipping everything myself it wouldn’t be scalable and would slow down the creative side. I’d say to anyone, make sure you think about the process all the way through before going live. Otherwise, it can be easy to get overwhelmed. Luckily now that I’ve done this though and things are running smoothly, I can start thinking about launching new lines! Oh! What other lines are we talking about? I have a ton of ideas. I’m going to be collaborating with my husband who’s a painter on something and some other projects as well. I’m not a big planner though [laughs]. I kind of just follow what feels good. Living with your husband who is a painter must be super cool on the collaboration side! Ya, it’s super fun. I don’t think I could be with anyone who’s not an artist. We both live and breathe art and we learn a lot from each other too. Any tips for young artists trying different mediums to express themselves? I’d definitely go back to the idea that you have to try to get away from comparing yourself to others and caring what they think. It’s hard with social media but it’s very important. I always say that social media should be for connecting, not comparing. Everyone has their own voice. Follow your gut and what makes you happy and explore that. Find a creative community that you can be a part of. Try to work with other artists. Observe others. Get out there. Be patient and keep putting in the work. Eventually, you’ll get to a point where you can really dictate what you want to do. Lastly, take risks and don’t be afraid of making bad work. It’s required in the art world but that’s also what makes it fun. That’s great advice! Lastly, for those looking to start tufting, where should they look? Honestly, the first thing to do is just Google tufting and watch a ton of videos. I’m actually going to film a workshop next month with Domestika which will be super fun, so watch that too [laughs]. Another great site to check out is Tim’s site that I mentioned earlier, tuftinggun.com. There’s an awesome forum for people posting about their experiences, where they get materials, etc. Everyone is super supportive and willing to share information. It’s a great community! Also, if you are looking to buy gear you can use my code "Trishtufts" for 15% off :) Make sure to check out Trish's Instagram for more news on upcoming projects and releases and keep it locked to Pier Five for more interviews and stories with the coolest entrepreneurs, designers, artists, activists and more.

The June Roundup Welcome to Pier Five monthly round ups, a look back at some of the people, brands & things that caught our eye this month that we thought you should know about. Remixed by Tal for ntwrk x SneakerCon Natalya Amres (@natalyaamres), upcycle designer & founder of Remixed by Tal (@remixedbytal), has an eye for deconstructing and repurposing everyday objects into other useful objects with style. Think purses made from volleyballs, teddy bears sewn from blankets or clutches stitched from sneakers. Her creations are one of a kind and this past weekend she released her newest creation, Adidas Superstar Mini Bags, through drops app ntwrk for Sneakercon. The attention to detail on these is crazy and the creativity truly makes these one of a kind. Oasis Skateboard Factory x Bryan Espiritu Bryan Espiritu (@bryanespiritu), artist and founder of streetwear brand Legends League, recently launched a new skateboard deck in partnership with Oasis Skateboard Factory, a Toronto District School Board school design program that provides accredited classes on product creation, brand building and the business of the skateboard industry. The deck features Bryan’s iconic font type and is a perfect piece to add to your art collection or to take it out for a rip at the park. The deck is still available for purchase on Legends League’s website and all proceeds from the sales go directly back to help fund Oasis Skateboard Factory programs. Salehe x New Balance Following the success of his first reimagination of the New Balance 2002R, we were eagerly awaiting Salehe Bembury’s (@salehebembury) second New Balance footwear collaboration and it did not disappoint. Inspired by his appreciation for the outdoors, “Water Be The Guide” takes cues from Arizona’s Havasu Falls. The shoe stands out from the crowd with its vivid color palette of teal, rusty orange & neon greens paired with a material composition that really brings out contrasting textures of hairy suede, leather and mesh. Hopefully you were lucky enough to get a pair on the initial June 25th drop but if not, keep it locked to your local retailers for a global release over the following weeks. Soleburners Sneaker Trays and Yeezy Candles A sneakerhead and candle lover’s dream; hand poured soy candles inspired by popular sneaker silhouettes. Camille De Leon, founder of Soleburners (@soleburners), has made a splash with her recent restock of her sneaker inspired candles and matching sneaker sole trays. From Air Jordans 1s to Yeezy 500s, there is a candle for every sneaker lover and the newly released complimentary hydrostone “Sole Trays”, are the perfect pairing to help catch the wax of the candles. This drop was sold out in under 2 hours, but don’t worry as she will be restocking in July! Reigning Champ x Modernica Vancouver-based label Reigning Champ revealed its newest collaboration this month with legendary California-based furniture crafter Modernica. Drawing inspiration from the monochromatic elements of Reigning Champ’s signature Spalding basketball, Reigning Champ x Modernica: Series 001 reimagines two icons from the Modernica collection, the Case Study Arm Shell Rocker & Side Shell, with 100% full-grain aniline leather upholstery. The clean and simple design, paired with unmatched craftsmanship combines to make the perfect set. Both chairs can be purchased on Reigning Champ’s website and if the name indicates anything, be on the (hopeful) lookout for a series 002 in the future! Stay tuned to The Roundup series to discover the coolest new people, brands and releases each month and keep it locked to all of Pier Five for stories and interviews with our favourite designers, entrepreneurs, creators and more.

Mental Movement Day with Pier Five and Puma Brings Toronto’s Creative Community Together for Yoga, Wellness, and Open Conversation On Saturday, May 24, Pier Five and Puma brought Toronto’s creative community together for a powerful afternoon of movement and mindfulness at Kula Yoga. Mental Movement Day, an intimate wellness experience for 25 creatives, entrepreneurs, and small business owners, blended yoga, thoughtful conversation, and community building into one energizing and inspiring event. From the moment guests arrived, the atmosphere was set for connection and care. Each attendee was gifted Puma workout and yoga gear, which quickly became a highlight of the experience; functional, stylish, and perfect for the afternoon’s yoga session. Before class began, Electrolit provided refreshing energy drinks, helping participants stay hydrated and energized for the flow ahead. Led by a certified yoga instructor, the class encouraged participants to slow down, breathe deeply, and reconnect with themselves through mindful movement. In a city as fast-paced as Toronto, the opportunity to pause and reset in a beautiful, welcoming studio like Kula Yoga was deeply appreciated. But the day didn’t end with just movement, it evolved into something even more meaningful. After class, Pier Five hosted a roundtable discussion focused on mental health, burnout, and strategies for managing busy, often overwhelming schedules. What made this part of the experience so special was the openness and honesty in the room. Attendees were encouraged to share their own tips, challenges, and stories in a judgment-free space, creating an atmosphere of empathy, support, and community. For many, Mental Movement Day was a much-needed reminder that taking care of your mental health is just as important as staying physically active. It also reinforced Pier Five and Puma’s shared commitment to supporting entrepreneurs and creatives, both professionally, and personally. As one of several ongoing collaborations between Pier Five and Puma, this event underscored the power of community-focused wellness programming. The blend of movement, meaningful conversation, and high-quality gear made for a standout afternoon that left everyone feeling refreshed, motivated, and connected. If you are interested in getting involved with Pier Five events, send us an email at community@pier-five.com .

June Guest Picks: Kicks with Cereal Artist Guest: Artist & sneaker collector Cereal Artist 1. Nike Sb Dunk Low "Street Hawker" "The 6 different Chinese cities and their signature street food inspiration behind this pair are the perfect representation to celebrate Chinese New Year!" 2. Bad Bunny x Adidas Forum low "Pink Easter Egg" "These are another beautiful holiday themed collab. The extra design details and the different shades of pink just pops!" 3. Puma Suede Mayu UP "Blue-marshmallow" "This blown-up exaggerated proportions take with a bubble-like platform sole are just so cool and gives that old school 90s chunky sneakers vibe I love!" 4. Jordan 1 mid Melody Ehsani "Fearless" "You can't go wrong with this amazing collab by a woman, for women. The mismatched colours and the watch details work so beautifully! 5. Bape x Adidas Superstar "ABC Camo Green" "Lastly, this is another great and somewhat underrated collab. You can't go wrong with the classic superstar silhouette and signature Bape ABC green camo. These took me back to my childhood in Asia!" Check out all of our guest picks for June here and stay tuned to Pier Five for more stories and interviews with the coolest people around.

2024 Recipient: Mahara Mindfulness Explore the Mastercard x Pier Five Small Business Fund Introducing Mahara Mindfulness, one of the ten recipients of the Mastercard x Pier Five Small Business Fund 2024! Founders: Sheba Zaidi and Genevive Savundranayagam Location: Toronto, ON Discover Mahara Mindfulness online: Website // Instagram About Mahara Mindfulness Mahara Mindfulness is a Canadian, female-founded business dedicated to improving mental health through mindfulness. Their flagship product, The Human Being Journal, is a guided monthly journal designed to help users manage mental health, gain perspective, and live more fulfilled lives. Inspired by the pandemic’s impact on mental health, Mahara sought to create an accessible, scientifically backed tool for stress and anxiety management. Featured in outlets like The New York Times and Oprah Daily, and endorsed by wellness icons like Reese Witherspoon and Jessica Alba, the journal bridges the human and being aspects of life to unlock true potential. Committed to sustainability and inclusivity, the journals are made in Canada from recycled materials, with diverse quotes and gender-neutral designs. Mahara also partners with organizations like CAMH, Restorations Second Stage Homes, and Holt Renfrew’s H-Project, aligning with their mission to support underserved communities and promote mental wellness. How will the fund make an impact with your business? At Mahara Mindfulness, our biggest challenge is finding the resources to build a community around The Human Being Journal. While COVID pushed us to focus on e-commerce, our vision has always been to create workshops and events to help Canadians connect, reflect, and embrace mindfulness. These events would teach journaling, meditation, and breathwork while addressing Canada’s growing loneliness epidemic. This Fund will help us launch our first event in 2025, covering infrastructure, speakers, marketing, and outreach to ensure success. With a loyal audience already engaged through social media and newsletters, we’re confident this event would spark a movement and advance our mission to improve mental health through tools and community. Winning this grant will allow us to take this critical first step. What is your long term goal for the company? We’re a small, Canadian-grown business with big dreams of expanding The Human Being Journal across North America and globally. Currently available in retailers like Indigo, Holt Renfrew, Paper Source, and Barnes & Noble, we aim to bring this powerful mindfulness tool to homes worldwide, including the U.K., Australia, and India, over the next 3–5 years. As two female, BIPOC founders who bootstrapped this business during the pandemic, we’re proud to follow our passion for making a difference in mental health. Learn more about the Mastercard & Pier Five Small Business Fund, and discover the other 2024 recipients here.

Finding That Secret Sauce With Tam Vu When you’re on a team, there is room to be comfortable. Once you’re out on your own, everything falls onto your shoulders. Depending on who you are, this can be daunting or extremely exciting. Vietnamese-Canadian artist Tam Vu sits on the side of excitement having set out on his own, only a little over a year ago, after spending most of his time with different teams in the creative fashion industry. Now on a mission to bring the stories of his native country to North America through a fashion and lifestyle goods import business and visual art, Tam is keeping very busy and having fun doing it. We had the pleasure of speaking with Tam about his business, setting out on his own, how he stays motivated and authentic through his work and his keys to finding the secret sauce that can take any creator to new heights. Hey Tam! Can you talk about the purpose behind your TKV business? I was starting to burn out at the design studio I was working at and it was difficult not to notice that the racist micro aggressions were becoming more and more overt in my daily life during the pandemic. Like, I know racism exists. It didn’t go away while I was too busy head-down-pedal-to-the-metal working. I faced micro aggressions on the daily – but I had learned to deal/cope with it by not giving it any energy otherwise I would just be angry all the time, and I just didn’t have the bandwidth, or personality, for that When the pandemic hit, like many others, I had the time and privilege to reflect on what was going on personally and professionally. This sounds so egocentric... but I thought about how unique and un-unique I was. My whole environment and context of being Vietnamese, being Canadian, belonging, not belonging, working in design and culture, skateboarding, basketball, my life experiences, language, code switching, on and on, makes me a unique person, but I also share a lot of the same challenges and experiences that other diaspora (Vietnamese or not) face. With this line of thinking, I wanted to create something for others like me. I wanted to create a framework that could both support an artistic practice and also support my golf addiction… and to do it in a way that I could still sleep at night. I wanted to create something that I never had when I was younger, something Vietnamese, something ______, something in-between, something – maybe not to look up to – but just something that existed. I want a 12 year old me to look at this project and be like WOW this is so sick, but also if the 12 year old me sees this project and thinks WOW this is so suck, I can do this, but better. That for me, is just as amazing. That’s why it was important to have my Vietnamese name be front facing, so people know – it’s Vietnamese. I don’t know, the long and short of it is exactly that, exactly the name, TKV® Business & Fine Arts. It’s just biz and sometimes it’s not. Do you find that the import business and the art business work together or are they more separate? They definitely work together. The imports help support my art practice and the art practice helps support the business. They go hand in hand. I have a flowchart that I made for myself when I was launching the project that I’ll refer to from time to time that outlines exactly how. It was important for me to create a financial framework where the business side and my art practice could sustain themselves independently of each other. I didn’t want to be put in a position where I had to make weird business decisions to fund an art project, or not be able to make a project because of a lack of funds. I don’t know – even the business side is an art project in itself. At the end of the day, it all works together in one bank account and stews in one brain, so it is what it is. Photo: Ryan Lebel How do you choose which products to import for that portion of TKV? Intuition? A lot of these items are goods that I’ve been drawn to from a young age when I would go to Vietnam. I always liked the slides, dép tổ ong, and learned through my community and family about their cultural significance. There’s no How It’s Made or Wikipedia page on them, the slides have an oral history and I am happy to share this history through TKV. This same thinking is applied to the work suits that I import, the stools, the fans, the bags. These are all common place products in Vietnam – and I love being able to share their significance to a wider audience. The suits are wild. They are labourer uniforms for blue collar workers, made all over Vietnam in hundreds of different colours and materials. The crazy thing is – from factory to factory throughout Vietnam, it’s the same pattern, same cut, same everything, same every time. Having worked in apparel production domestically, I know from experience, even having production replicate a pattern, THAT THEY MADE, is sometimes a harrowing experience. The stools are amazing, it’s like Vietnam’s monobloc chair. Cheaply made, abundant, honestly beautiful. I love going to a food stand and this is what everyone is sitting on. Obama and Bourdain sat on the XL version, but still, same same. These are products that resonated with me and through this project I get to investigate why. When you land on my website – you get all the research, all the why’s and what I’ve found. I invite you to investigate the why’s with me and hope you fall in love with the items too. Or you just like the colour, that’s fine too. Photo: Ryan Lebel What have you learned from launching the project? I learned that you need to try, to try. It’s easy to get stuck trying to perfect the sauce, or what you think is the perfect sauce, but at the end of the day you need to be able to open the restaurant. And if you don’t want to turn on the restaurant OPEN light, at least open the door. You need to be able to do it and to keep it moving. I learn something from everything I do, good and bad. Sometimes I like the feeling of being scared, standing on the top of the cliff getting ready to jump in the water. I’ll stand there for a while, and think about how scared I am, and how cool it is that I am so scared, because how often in life do I feel this scared. Then I jump. The trick for me is acknowledging that I’m scared but that I still need to do it, because I don’t want to climb back down the cliff, dry, and all my friends are there, and they will all post stories on IG that I didn’t jump, and they will laugh, but in a supportive way, and I will feel sheepish, and regret that I didn’t try. I know sometimes this is easier said than done but you really just have to do it. It’ll say on my gravestone “At least he tried” [laughs]. Couldn’t agree more with that. Let’s talk about the art side more. You recently exhibited ‘Their Country’ in Montreal, a painting series which depicts your interpretations of your family’s stories of immigration and painted by painters in Vietnam. Was it challenging working with painters overseas and why was it important for you to pursue that path? So, those painters actually lived three blocks away from my family home in HCMC. I used to walk by them every day and so the communication wasn’t really any more challenging than speaking with apparel suppliers overseas. Being able to speak Vietnamese obviously helped as well. It was important for me to work with the painters in HCMC because they were an integral part of the artworks. The paintings are the “art objects” but the entire process is the art. The communications through the supply chain to make the paintings, the conversations with my family, the translation of the memories, these are the vital and critical parts of the work. For me, outsourcing the paintings to oil painters in Vietnam was not a means to find cheap labour, but to engage the Vietnamese painters into an artwork that also speaks to their experiences and perspectives. The War impacted an entire population and continues to have ripple effects through generations and isn’t bound by geographic borders. The conversations that emerged from these paintings are extremely valuable to me. What was the exhibition experience like? This was my first art show as an artist. It felt like a bootcamp putting everything together. There is some crossover from my previous work doing pop-ups and seeing what it takes to do that, but this is really another learning experience. I was able to see what worked, what didn’t work, what took too much energy, what needed more energy. It was low stakes enough that I could experiment with what felt right to me, but also high enough pressure that I didn’t want to fail. I often struggle a lot with perfectionism in my work but, with this, I really just put it out there and enjoyed myself. Shout out to the ARTCH exhibition team, Sarah, Margot, Myriam, as well as all the participating artists. Everyone was amazing. Well whatever you did, it definitely worked! You also have some other unique ventures in the works; Cheers Mate Soda & Piano Golf. What’s the story behind these? With Piano Golf I wanted to find a way to bring a new perspective to golf. It always felt out of reach with huge cultural barriers. During the pandemic I got into it, and found that it had so many similarities to things that I loved like being outside, competing against myself, hitting a ball. In a way it felt a lot like skateboarding, like knowing where your body is in space, trying the same motion over and over again. Once again, I found that there wasn’t anything out in the golf world that really connected with me. I started this fun business (emphasis on fun) with my friends Myles Perkins and Dylan Bourdeau, it’s a way to intersect golf with other aspects of our interests. Plus it was a way to find more excuses to golf. Cheers Mate (mah-teh) Yerba Soda is an opportunity that presented itself to me at a time where I was looking to work on a project that was a little more biz focused. It’s still in its infancy, a classic – we’ve opened the door to the restaurant but the OPEN sign is not on yet. It’s been a great experience working on this project so far and I’m looking forward to where it’ll lead next… cheers! In an age where everything we see on social media is so calculated, you seem to just have fun with it and post whatever is on your mind. How do you feel about the current state of social media and do you think we all need to be a bit more chill? When I was getting ready to launch TKV® Business & Fine Arts, I put so much time and thought into how my Instagram was going to be, and look and feel, and had this realization like, damn – if I stress like this every time I need to make a post or story, it’s going to be horrible. How do I find a way to make this easy? So I just really post what I think is funny, pertinent and easy, and if my business fails because of this – then there are bigger issues with my business than that. Some of the content have planning behind them, but I do that because I enjoy it – and because I feel like it’s important to tell a certain story a certain way. Honestly I’m just trying to try here. For others, it’s so subjective and so hard for me to say what others should do. People should just do what is comfortable for them. Feel that! Before we let you go, what’s next for Tam Vu? Well, I’m going home to have dinner and that’s exciting [laughs]. I am moving into a new studio which I’m super excited for. I’m going to be setting up a showroom and a space where I can execute more stuff. A severe lockdown mandate in Vietnam was just lifted, so a lot of things are about to start coming in. The supply chain is still a mess, so a 3-4 month forecast is murky, but I have the next few collections and coloured suits coming in. I received some funding to do some more paintings and have some other art projects on the horizon too. I also just received a hand me down golf simulator, so hopefully this will keep me busy over the winter. I’m also learning to play piano… The winter is usually my most productive time… I try to stave off the winter blues this way. Check out Tam's Instagram for news on his upcoming releases and hit the TKV Shop to cop some sweet Vietnamese gear. Keep it locked to Pier Five for more interviews and stories with the coolest entrepreneurs, designers, artists, activists and more.

A Conversation With Photographer Wade Hudson As a creative, there are many avenues that you can take to turn your passion into a career. More often than not, this will require others and understanding how to balance personal efforts and the inclusion of those around you will take you to great heights. Toronto based photographer Wade Hudson understood this early on, partnering with those whom he enjoyed and shared passions with, creating equal value and fostering growth for one another. The secrets of finding great people to work with take time to uncover and we got the chance to catch up with Wade to learn about how he identifies talent around him, capitalizes on opportunities at every moment and produces the best possible outcome within each situation. Take a read through the conversation below to hear from one of Toronto’s best shooters. In 2013 you did a shoot with a wee youngster by the name of Joey Bada$$. How does it feel shooting people at an early age and then watching them blow up into huge superstars? Nearly every person I shoot I am a big fan of so watching them come up is really quite fascinating to me. When I heard [Joey] bada$$, I was like “this guy is going to be a huge star”. It’s obviously hard for me to know at the moment where they’ll be down the line but that doesn’t matter to me when I’m working. When I’m around people like that I try to just be myself and show my interest in them. Joey and so many others are so genuine and great people and that makes it really fun to follow their careers and growth. The best thing is seeing where they are years later and know that their attitudes haven't changed and that they’re still humble. What are some tips you’d give to creatives looking to connect with talent to work with? If you’re seeking out talent to work with, make sure that your skill is at the level that it needs to be to execute your vision with the talent. After that, be ready to move quickly. Opportunities don’t always come with a lot of advanced notice. Be ready to move on things at any moment. I’d also say, from a mental standpoint, know that anyone is accessible if you persevere. This doesn’t mean they are accessible today but if you work hard enough, anyone can be accessible and so you should always shoot your shot. You won’t get anywhere if you never ask. Another way to get buy-in from talent is to remember that someone’s time can be more valuable than money. Don’t overlook experience and the impact that personal connections can make in the long term. Lastly, be patient. Things take time so don’t give up. When you have the time to plan with someone, how long does it take to ideate a shoot? It’s really as long as I have. I usually don’t have a ton of time so I work with the elements in the moment. When I do have time, I’ll just make sure I can complete all the needed - or ideal - steps in that amount of time. Finding references, finding the right people to bring in like stylists, creative directors, etc. is all important. I’ll try to get calls or meetings together beforehand to discuss how we can make the best product possible and how we can cater the shoot to the subject. How involved are the subjects in creating the story for the shoot? For the most part, when I reach out to people I have the concept of what I want them to look like already in mind. If it’s my creative shoot, it has to follow my style and I need you to do what I have envisioned. Obviously I'm open to ideas depending on who you are, like if you’re a creative director you might have good ideas, but if I simply approach you because I like your look, I will have the concept down. This is different though if I’m shooting for a client and their ideated project. In that case, I’m helping execute their vision. Would you say more of your work is client focused or your creative work? It depends on the time of year so that’s hard to say. They go hand in hand though for my career so it’s not too big of a deal to do one more than the other from time to time. My creative work is how I pull clients in and my client work pays for my creative work. I’d always like to do more creative work but client work is needed. Right. That’s a good outlook on the two. Do you think you could ever get to a point where you’re only doing creative work? I think there are photographers that have found a great balance where the work they do on their own and the work they do for clients are very similar but it’s hard to only ever do your own thing, if only due to money. I’m always working to bring my ideas into the client work to make it fun and reduce the space between that and my client work but I don’t think I’d ever stop doing client work. Interesting, and I guess client work also brings new sets of challenges that can make you a better photographer. Changing gears now, what are 5 do’s or don’ts of shooting with someone for the first time? That is true and a great question. I can only give these tips from my perspective but... DON’T have your camera in hand when you first meet someone. This helps to remove the power dynamic of the subject and photographer. DO have a conversation with the subject before you shoot. Learn about them and what they are comfortable with. This will make the shoot much better for everyone and deliver the best results. DON’T talk about why you’re qualified or who you’ve worked with in the past. In that moment, nobody cares about who you’ve shot in the past. DON’T show the subject the shots when you’re shooting. It often makes the subjects less comfortable. Instead, talk to them as you shoot. Sometimes you can’t follow this depending on the subject but this is what I find is typically best. DO discuss what the subject should be doing in the photograph before they sit in front of you. You want to make sure everyone knows what they’re going into. You recently became a father (congratulations!). Has that journey with your wife and now your newborn son influenced your work? Thank you! Right now, not too much has changed but I imagine as he grows, it may impact the work, what jobs I take, how I see things, etc. Just a crazy time learning to be a father [laughs]. Although it was published over 7 years ago, your Jamaican Proverb Series still lives as one of the best photography series that we have ever seen. Do you have a proverb that you live by? A lot of these are just kind of always relevant but one that I think back on a lot is “Ebry dawg ave im day, ebry puss im four a clock.” which translates to “Every dog has his day, every cat his 4 o’clock.” This has a few meanings. Some days you win and some days you love. Good fortune comes at different times for everyone. Do not behave as if you are better than others. Oh, love that. Super important as a creative for sure. Do you have a favourite story from your time as a photographer? Yes! About 5 years ago I went to London because I was interested in potentially moving out there and wanted to check out the scene. Some of the modelling agencies out there were having these openings where you can just go and shoot their models. They basically invite you out, introduce you to the models and you shoot for the day. I went out and shot about five or six models that day and got some shots that I really liked. After the shoot I went onto the agency websites to find all of the models I had shot but there was one person I couldn’t find anywhere. It turns out that it was Grace Bol who is a big time model, like she’s been on iPhone backgrounds including my own [laughs] and has modelled for so many major brands. She’s huge! I don’t even know why she was there that day and I had been speaking to her for about twenty minutes without a clue of who she was and it was such a wild moment realizing it after the fact. Honestly, it was probably better that I didn’t know at the time or I likely wouldn’t have had the confidence to ask her to shoot. Wow! That’s insane. I guess sometimes it’s better not knowing all [laughs]. Lastly, now that we are starting to return to some normalcy in the world, what are you most excited for work-wise? I just want to go back home to Jamaica. I have a ton of ideas and people that I want to be with and I just can’t get down right now so that will be the first thing I do when I can. I lived there until I was sixteen and then moved here. Before Covid I was there a few times a year so I really want to get back. Check out more of Wade's work on his website and follow him on Instagram to catch all of his latest work. Keep it locked to Pier Five for more interviews and stories with the coolest entrepreneurs, designers, artists, activists and more.