Writing History With Sam Le Roy of Hartcopy Holding on to the past isn't always a good thing, but in the case of Sam Le Roy and Hartcopy, it couldn't be cooler! As one of Instagram's best new(ish) sneaker pages, storytelling around the coolest pairs of new and old sneakers from around the world, Hartcopy has taken the world by storm with its ethos of embracing traditional print for the digital consumer. We got the chance to speak with Hartcopy's Creative Lead, Sam Le Roy, about what got him involved in "The New Print", where he thinks sneaker culture is going, what it's like diving head first into new creative projects and the importance of confidence to get yourself into your dream position. Read and listen below for the convesation! Getting Started. Hey Sam! Thanks so much for chatting with us. To kick things off, can you tell us how you got involved with Tim and Hartcopy? So before I got started with Hartcopy I was writing for another publication call Sabukaru - great read by the way. I found Hartcopy pretty early on when it launched and then I saw Tim post on Facebook that he had started the page. I sent him a message like "Hey I'm a writer. Can we work on this together?" I wasn't expecting money or anything. Luckily Tim saw my message and I think because of my experiences at Sabukaru, he gave me a shot. This was around March or April of 2020. Damn, just like that? All about shooting your shot! My entire creative journey is all from sending that DM. All opportunities that I've had have been because if sent that message to the right person. I just found a lot of people online and now I can call them friends. Definitely don't be afraid to shoot your shot! (Listen to more below) The Execution. Hartcopy has published nearly 1,400 posts now in not that much time. Firstly, how do you choose what to write about? The biggest thing for Hartcopy is looking into the past and telling the stories of older pairs and silhouettes. A lot of people really fell in love with Hartcopy from our coverage of older grail pairs, older dunks and Jordan sneakers but we really just cover whatever we think is cool. It's really an extension of our own tastes so as long as we think it's cool then we'll post about it. Second question. How do you find the time to do all of this AND pursue a full time career? Luckily, we have a pretty good formula now for creating the content so it doesn't take that long. What is starting to take a lot of time is all of the other partnerships and projects that we are starting to do. I actually just gave my notice this week and will be doing Hartcopy full time now, which is really exciting! Oh wow! What was the thought process like behind that decision? I think it was inevitable at some point for this to happen. I have so many plans for Hartcopy in the future but they would never become a reality if I didn't take the jump now and try it. I had a moment at the Foot Patrol event where I knew that not capitalizing on this would be a massive waste. (Listen to more below) The First Book Signing. Just recently Hartcopy launched its first ever physical print sneaker book with a killer launch event at Foot Patrol in London. What was that like getting to connect with people over Hartcopy in person after being a digital first platform since the beginning? Seeing that many people come together for a product that we made was incredible. It was an amazing feeling and I definitely want to see that again. There's something really charming about bringing people together for a physical product. We've gone through so many followers and likes on Instagram but I can't visualize that. Meeting people in person creates a feeling that I really can't describe. (Photos: Foot Patrol) What's Next? I'm planning books two, three, four and five. Book two is going to be more focused around people than product, but obviously still connected to products. Book three I can't speak about it yet because it's going to be completely out of nowhere [laughs] and I wan't it to be a surprise. Looking forward, now that I'm full time, I want to also be doing things like merchandise like clothing releases in addition to the book releases. I really want to have people getting Hartcopy in hand and a big focus for me is to keep it affordable. We have a lot of things in the works as well that I can't speak about yet but just know we're going to be very busy! And lastly... a reminder from Sam to wear your shoes! Make sure to keep up with Sam and Hartcopy on Instagram for all the best sneaker content and news on their upcoming projects and keep it locked to Pier Five for more conversations with the coolest entrepreneurs, designers, artists, activists and more out there.

Finding That Secret Sauce With Tam Vu When you’re on a team, there is room to be comfortable. Once you’re out on your own, everything falls onto your shoulders. Depending on who you are, this can be daunting or extremely exciting. Vietnamese-Canadian artist Tam Vu sits on the side of excitement having set out on his own, only a little over a year ago, after spending most of his time with different teams in the creative fashion industry. Now on a mission to bring the stories of his native country to North America through a fashion and lifestyle goods import business and visual art, Tam is keeping very busy and having fun doing it. We had the pleasure of speaking with Tam about his business, setting out on his own, how he stays motivated and authentic through his work and his keys to finding the secret sauce that can take any creator to new heights. Hey Tam! Can you talk about the purpose behind your TKV business? I was starting to burn out at the design studio I was working at and it was difficult not to notice that the racist micro aggressions were becoming more and more overt in my daily life during the pandemic. Like, I know racism exists. It didn’t go away while I was too busy head-down-pedal-to-the-metal working. I faced micro aggressions on the daily – but I had learned to deal/cope with it by not giving it any energy otherwise I would just be angry all the time, and I just didn’t have the bandwidth, or personality, for that When the pandemic hit, like many others, I had the time and privilege to reflect on what was going on personally and professionally. This sounds so egocentric... but I thought about how unique and un-unique I was. My whole environment and context of being Vietnamese, being Canadian, belonging, not belonging, working in design and culture, skateboarding, basketball, my life experiences, language, code switching, on and on, makes me a unique person, but I also share a lot of the same challenges and experiences that other diaspora (Vietnamese or not) face. With this line of thinking, I wanted to create something for others like me. I wanted to create a framework that could both support an artistic practice and also support my golf addiction… and to do it in a way that I could still sleep at night. I wanted to create something that I never had when I was younger, something Vietnamese, something ______, something in-between, something – maybe not to look up to – but just something that existed. I want a 12 year old me to look at this project and be like WOW this is so sick, but also if the 12 year old me sees this project and thinks WOW this is so suck, I can do this, but better. That for me, is just as amazing. That’s why it was important to have my Vietnamese name be front facing, so people know – it’s Vietnamese. I don’t know, the long and short of it is exactly that, exactly the name, TKV® Business & Fine Arts. It’s just biz and sometimes it’s not. Do you find that the import business and the art business work together or are they more separate? They definitely work together. The imports help support my art practice and the art practice helps support the business. They go hand in hand. I have a flowchart that I made for myself when I was launching the project that I’ll refer to from time to time that outlines exactly how. It was important for me to create a financial framework where the business side and my art practice could sustain themselves independently of each other. I didn’t want to be put in a position where I had to make weird business decisions to fund an art project, or not be able to make a project because of a lack of funds. I don’t know – even the business side is an art project in itself. At the end of the day, it all works together in one bank account and stews in one brain, so it is what it is. Photo: Ryan Lebel How do you choose which products to import for that portion of TKV? Intuition? A lot of these items are goods that I’ve been drawn to from a young age when I would go to Vietnam. I always liked the slides, dép tổ ong, and learned through my community and family about their cultural significance. There’s no How It’s Made or Wikipedia page on them, the slides have an oral history and I am happy to share this history through TKV. This same thinking is applied to the work suits that I import, the stools, the fans, the bags. These are all common place products in Vietnam – and I love being able to share their significance to a wider audience. The suits are wild. They are labourer uniforms for blue collar workers, made all over Vietnam in hundreds of different colours and materials. The crazy thing is – from factory to factory throughout Vietnam, it’s the same pattern, same cut, same everything, same every time. Having worked in apparel production domestically, I know from experience, even having production replicate a pattern, THAT THEY MADE, is sometimes a harrowing experience. The stools are amazing, it’s like Vietnam’s monobloc chair. Cheaply made, abundant, honestly beautiful. I love going to a food stand and this is what everyone is sitting on. Obama and Bourdain sat on the XL version, but still, same same. These are products that resonated with me and through this project I get to investigate why. When you land on my website – you get all the research, all the why’s and what I’ve found. I invite you to investigate the why’s with me and hope you fall in love with the items too. Or you just like the colour, that’s fine too. Photo: Ryan Lebel What have you learned from launching the project? I learned that you need to try, to try. It’s easy to get stuck trying to perfect the sauce, or what you think is the perfect sauce, but at the end of the day you need to be able to open the restaurant. And if you don’t want to turn on the restaurant OPEN light, at least open the door. You need to be able to do it and to keep it moving. I learn something from everything I do, good and bad. Sometimes I like the feeling of being scared, standing on the top of the cliff getting ready to jump in the water. I’ll stand there for a while, and think about how scared I am, and how cool it is that I am so scared, because how often in life do I feel this scared. Then I jump. The trick for me is acknowledging that I’m scared but that I still need to do it, because I don’t want to climb back down the cliff, dry, and all my friends are there, and they will all post stories on IG that I didn’t jump, and they will laugh, but in a supportive way, and I will feel sheepish, and regret that I didn’t try. I know sometimes this is easier said than done but you really just have to do it. It’ll say on my gravestone “At least he tried” [laughs]. Couldn’t agree more with that. Let’s talk about the art side more. You recently exhibited ‘Their Country’ in Montreal, a painting series which depicts your interpretations of your family’s stories of immigration and painted by painters in Vietnam. Was it challenging working with painters overseas and why was it important for you to pursue that path? So, those painters actually lived three blocks away from my family home in HCMC. I used to walk by them every day and so the communication wasn’t really any more challenging than speaking with apparel suppliers overseas. Being able to speak Vietnamese obviously helped as well. It was important for me to work with the painters in HCMC because they were an integral part of the artworks. The paintings are the “art objects” but the entire process is the art. The communications through the supply chain to make the paintings, the conversations with my family, the translation of the memories, these are the vital and critical parts of the work. For me, outsourcing the paintings to oil painters in Vietnam was not a means to find cheap labour, but to engage the Vietnamese painters into an artwork that also speaks to their experiences and perspectives. The War impacted an entire population and continues to have ripple effects through generations and isn’t bound by geographic borders. The conversations that emerged from these paintings are extremely valuable to me. What was the exhibition experience like? This was my first art show as an artist. It felt like a bootcamp putting everything together. There is some crossover from my previous work doing pop-ups and seeing what it takes to do that, but this is really another learning experience. I was able to see what worked, what didn’t work, what took too much energy, what needed more energy. It was low stakes enough that I could experiment with what felt right to me, but also high enough pressure that I didn’t want to fail. I often struggle a lot with perfectionism in my work but, with this, I really just put it out there and enjoyed myself. Shout out to the ARTCH exhibition team, Sarah, Margot, Myriam, as well as all the participating artists. Everyone was amazing. Well whatever you did, it definitely worked! You also have some other unique ventures in the works; Cheers Mate Soda & Piano Golf. What’s the story behind these? With Piano Golf I wanted to find a way to bring a new perspective to golf. It always felt out of reach with huge cultural barriers. During the pandemic I got into it, and found that it had so many similarities to things that I loved like being outside, competing against myself, hitting a ball. In a way it felt a lot like skateboarding, like knowing where your body is in space, trying the same motion over and over again. Once again, I found that there wasn’t anything out in the golf world that really connected with me. I started this fun business (emphasis on fun) with my friends Myles Perkins and Dylan Bourdeau, it’s a way to intersect golf with other aspects of our interests. Plus it was a way to find more excuses to golf. Cheers Mate (mah-teh) Yerba Soda is an opportunity that presented itself to me at a time where I was looking to work on a project that was a little more biz focused. It’s still in its infancy, a classic – we’ve opened the door to the restaurant but the OPEN sign is not on yet. It’s been a great experience working on this project so far and I’m looking forward to where it’ll lead next… cheers! In an age where everything we see on social media is so calculated, you seem to just have fun with it and post whatever is on your mind. How do you feel about the current state of social media and do you think we all need to be a bit more chill? When I was getting ready to launch TKV® Business & Fine Arts, I put so much time and thought into how my Instagram was going to be, and look and feel, and had this realization like, damn – if I stress like this every time I need to make a post or story, it’s going to be horrible. How do I find a way to make this easy? So I just really post what I think is funny, pertinent and easy, and if my business fails because of this – then there are bigger issues with my business than that. Some of the content have planning behind them, but I do that because I enjoy it – and because I feel like it’s important to tell a certain story a certain way. Honestly I’m just trying to try here. For others, it’s so subjective and so hard for me to say what others should do. People should just do what is comfortable for them. Feel that! Before we let you go, what’s next for Tam Vu? Well, I’m going home to have dinner and that’s exciting [laughs]. I am moving into a new studio which I’m super excited for. I’m going to be setting up a showroom and a space where I can execute more stuff. A severe lockdown mandate in Vietnam was just lifted, so a lot of things are about to start coming in. The supply chain is still a mess, so a 3-4 month forecast is murky, but I have the next few collections and coloured suits coming in. I received some funding to do some more paintings and have some other art projects on the horizon too. I also just received a hand me down golf simulator, so hopefully this will keep me busy over the winter. I’m also learning to play piano… The winter is usually my most productive time… I try to stave off the winter blues this way. Check out Tam's Instagram for news on his upcoming releases and hit the TKV Shop to cop some sweet Vietnamese gear. Keep it locked to Pier Five for more interviews and stories with the coolest entrepreneurs, designers, artists, activists and more.

Pier Five Creators Grant Lookbook Photographer: Mark Gallardo Location: Crayon Studios, Toronto View the Collection (Soon) Creators Grant Home

The May Roundup Welcome to Pier Five monthly round ups, a look back at some of the people, brands & things that caught our eye this month that we thought you should know about. Mentl Sesh x Staple We were pumped to see our friend Liz Beecroft join forces with Jeff Staple to come up with the “A Staple of Your Wellbeing” collection. The collection is intentional in helping provide actual tools & resources to improve our daily mental health practices and features a journal, pill box & stress reliever in addition to some apparel items. All profits will be donated to the Made of Millions Foundation, a non profit organization focused on changing how the world perceives mental health. The collection is currently still available here. Collegium “Customs & DIY” Collegium is an emerging sneaker brand based in California that has caused quite the storm with it’s clean retro-inspired silhouettes, well thought out colourways and premium Italian made construction. Their sneakers have recently been a staple for customizations, namely the “Vintage Sapphire Metallic Destroyers” created by well known customizer @Andu.c and the “Dip Dye” pack by @bahb.o worn by NBA star Russel Westbrook and Formula One driver Lewis Hamilton respectively. Also tune in to Collegium’s Instagram for news on an upcoming collaboration with sneaker YouTube star Richie Le. Styll 59/50 Caps If you’re into New Era fitted caps then you need to check out Styll. Bringing together unique colour combinations, patches and embroidery detailing, Styll is taking your boring old team caps to the next level. Our favourite right now is the Blue Jays - Toronto bias of course - “Cherry Blossom” cap that was recently released. Make sure to follow @styll.ca and keep an eye out for your team as their drops come and go very quickly. Bricks & Wood x New Balance This past week, Bricks & Wood paid homage to its roots of South Central Los Angeles with a special edition collaboration with New Balance on the NB57/40. Bringing together premium materials and a beautiful colour palette of green, brick red and light yellow, the pair was inspired by The Liquor Bank, a staple in the Crenshaw District of SCLA. Down to the packaging (each pair comes with an awesome paisley box), this pair is one for the books! The release was also supported by an awesome apparel and accessories collection dawning the same palette and paisley motif. The Forest Hill Collection by Studio S Sylvia Hoang, owner of home goods and apparel brand Studio S recently graced the world with her latest release featuring new concrete sneaker planters and a tasteful sweatsuit set that will keep your home and back looking fresh this summer. We recently had the chance to speak with Sylvia on her latest drop (read the interview here) and while most of the collection is now sold out, make sure to follow Studio S on Instagram as a restock is coming soon! Stay tuned to The Roundup series to discover the coolest new people, brands and releases each month and keep it locked to all of Pier Five for stories and interviews with our favourite designers, entrepreneurs, creators and more.

A Conversation With Garret "GMAN" Louie of TAIKAN Photo: @whentheyfindus It’s no secret that Canada hasn't always been the hub for dope brands and culture that it is now. For decades, the space was dominated by cities like New York, Los Angeles, Tokyo and Paris. Garret “GMAN” Louie, a Vancouver native, has been doing his thing to change that. With over twenty-five years of experience throwing some of the best parties in the country and bringing some of the coolest skate and street brands to Canadian shops, GMAN has solidified the great north as a prominent epicenter for all things cool. As the co-founder of a top-tier streetwear and sneaker shop Livestock and owner of multiple distribution agencies, Fortune Sound music venue and TAIKAN, one of the hottest bags brands in the market, GMAN is one of those people that you need on your radar. We were lucky enough to speak with him about what he’s been working on lately and pick his brain for some tips that any creative person can apply to their hustle. Take a read through the interview below and stay tuned for a likely part two since GMAN’s stories are endless! Hey GMAN! It’s great to be chatting with you. For those who may not be familiar, can you tell us a little about yourself? Hey guys! Well first and foremost, I am a father and husband living in Vancouver, British Columbia and I love to do stuff for my community. I was a co-founder of Canadian streetwear shop Livestock and I co-own two distribution companies called Timebomb Trading Inc and FBOMB Trading Inc. A few years ago I also started TAIKAN, an essentials bag and apparel brand. Wow! You’ve got a lot going on. What do you think were the driving factors that got you so involved in this space over time? As a kid I was really into skateboarding, punk rock, rap and all that stuff. My dad had a sales agency for menswear that sold suits and ties, so I wasn’t really that interested. One day his agency brought on a more youthful surf brand which sparked some interest for me. I told my Dad I wanted to explore distribution as I had found this brand called Freshjive and wanted to import it. I ended up getting in touch with the owner & he was down and I threw a big party in Van for them. I was really able to build the brand and connect with the community. The party went super well and things just kept going from there. A number of years later I started Livestock with Garry Bone and that really led the way for all of my current ventures, spending so much time around various brands and the nightlife scene. Very cool to see you taking that initiative early on. Having worked in the distribution industry for fashion and streetwear brands for so long, what triggered the desire to start your own brand, TAIKAN? After working with brands for so long and meeting all the people behind them you really start to learn the process of developing and growing successful brands. Eventually I started to notice some gaps in what the market/retail space had and saw an opportunity to start TAIKAN to help with my own roster on the distribution side. Vancouver has become such a hub for new brands with the different seasons as there is so much good gear coming out of here. Today we have labels like Reigning Champ, Arcteryx, Lululemon, Herschel and Purple Brand. Even brands like Stussy have their creative team based out of here now. Back in the day people never even really knew where Vancouver was but all that has changed now. That makes a lot of sense when looking at it from a distribution standpoint, having one business help the other and growing them together. What was the inspiration for the brand and the bags? I have been a huge fan of our friends at Herschel’s success but my personal aesthetic is a bit more higher end and a little more Japanese influenced which is something we don’t have much of in Canada. The problem with the nice Japanese stuff is it’s very expensive so we wanted to create something that could be affordable, yet have cleaner aesthetics and be inspired by design, photography, art, music & skateboarding. Love it. We also hear that TAIKAN is set to release its first apparel collection later this month! What was the reason for expanding beyond bags and why now? We’ve done a lot with bags over the years. We’ve had some amazing collabs with brands like Pleasures, BEAMS, Soulection and SNEEZE, etc. and have gotten into a ton of amazing shops around the world. The thing with bags is, from a volume standpoint in stores, you can’t stock as much as you can with apparel. Twelve to twenty-four bags in a shop might seem like a lot, whereas for apparel, you have more options. With COVID happening and people not travelling as much, it felt like the right time to pivot to apparel. Makes sense! What’s the vibe for the apparel drop? A lot of the brands are very logo heavy so I wanted the TAIKAN assortment to be less branded and more about quality, fit and feel. We’re all about creating timeless pieces that can be in your wardrobe forever. We want this to be your favourite hoodie, your go-to cargo pant, etc. Design wise it’s a lot of basics/ staples/essentials, but we also tapped some cool artists for collabs and brought in some fun custom dyes to spice things up a bit. Basics with a twist. We’re also going seasonless and general neutral for our apparel which makes it a lot easier for stores to support, especially during COVID, and the reception has been overwhelming. Everything will start hitting shelves late August and we’re pumped for people to get their hands on it. In the meantime, make sure to check out www.taikaneverything.com and follow @taikaneverything on IG. Photo: @eligorin We’re big fans of the timeless classics! Can’t wait to check it out. You mentioned some of the awesome collabs you’ve done in the past. What are your 5 tips to execute a successful collaboration? The first thing is to really think about why you’re doing the collaboration. Don’t just collaborate for collaboration’s sake. It has to be a good fit. Tap into your relationships. It’s always more fun to collab with friends or people you know and respect. Be thoughtful with the story and design. Don’t just slap a logo on something. Make sure the collab tells a story that people can feel. Start early and be patient. Sometimes these projects can take up to a year to create but it will all be worth it. Lastly, make something that you’d want to have yourself. It will always lead to a better product and a final outcome that you are the most happy with. Bonus: There are no rules! Try new things and have fun. These are great tips! What’s one of your favourite projects that you’ve done with TAIKAN so far? We have an ongoing project called TAIKAN By that I love. Essentially we tap artists, photographers, creators, etc that we are into, send them bags and apparel and let them do their thing with it. Rather than trying to manage what they create, we let them put their spin on it and it makes for some really great content. Sometimes we can get really out of the box like our latest collaboration with Tatum Maclean (@zeustate) who did a Hansel and Gretel theme shoot. It turned out amazing! We’ll then also do an interview or have them choose a playlist for our site as well to really give them representation on our page. You can find Tatum Maclean’s TAIKAN BY here. That seems like a really smart way to keep things fresh. On that note, as someone who’s been in the space for decades, we’re sure you’ve seen many brands come and go. What are some key traits that you think brands need to have to stand the test of time? I actually don’t mind that brands come and go. I think that sometimes brands change to keep up with the changing times and it takes away from the authenticity of the brand. I look at a lot of brands and think, as the owners grow, how do you still continue to appeal to the new younger generations? Some brands can obviously last though. It comes down to focusing on authenticity and not letting money or extreme growth get in the way. If you think about a brand like Stussy who’s been around for thirty plus years, they had a period of time where they were in every Zumiez and that definitely diluted the brand a bit, but then they pulled out. I think people really respected it. It was a ton of lost revenue at first but the community that the brand is for really respected the move and I think that’s what has helped them be so legit. That’s a good way to look at it. I guess we don’t need everything forever. Lastly, it’s no secret that with decades of experience, you know how to throw a good party. What are 5 must haves for any GMAN certified party? Vibes are super important. If there are good vibes then everything else will follow. Sometimes you might need to spend some extra money on the best DJ or let some people in for free and give up cover to get the vibes just right. It’s worth it. You need to have dope music and the right talent for the crowd. We always try to source the best locally and also bring people from around the world. Pack up the party with the right people. No one likes an empty party. Try not to stress too much, especially when the party is going on. Just have fun. Have fun but don’t over indulge. The only way to be able to do this for many years is to have a good balance. Check out GMAN, TAIKAN and Fortune Sound on Instagram and make sure to visit TAIKAN’s website for more news on their apparel release coming at the end of August. Also don’t forget to keep it locked to Pier Five for more interviews and stories with the coolest entrepreneurs, designers, artists, activists and more.

2022 Recipient: Apricotton Introducing Apricotton, one of the five recipients of the Mastercard x Pier Five Small Business Fund 2022! Who: Jessica Miao & Chloe Beaudoin Where: Toronto, ON Instagram / Website Apricotton is a Toronto-based teen bra brand that helps girls feel confident in their first bra. The brand is the only bra brand globally that designs bras that grow as the girl grows, lasting multiple stages of puberty. This means that you can wear the same bra when you develop from an AA to a D cup! The story of Apricotton started when Jessica took her 12-year-old sister, Cindy, bra shopping but struggled to find options that fit her body type. The mature lingerie stores and intimidating sales associates made Cindy feel uncomfortable. To make matters worse, the only bras that were suitable for her age group were the smallest sized sports bras. 90% of girls feel uncomfortable and intimidated when buying their first bra. Every girl wears a bra, so why is it such a struggle to find a perfect fit at traditional lingerie or department stores? How will you use the $10,000 CAD for your business? Half of the $10,000 in funding is being used to grow our community through professional content creation and the other half to conduct product development to launch our next adjustable bra line. We have seen great success with content creators supporting our platform and helping to build our community and that has been a big focus to help build Apricotton’s awareness for teens through our community. As the community grows, having more products to offer them will also be important. We have also begun working on our next 3 bra launches which has always helped to increase order value with our customers. "It can be really difficult as founders to meet other incredible entrepreneurs. The priceless experience helped us meet so many other incredible women small business founders." "We think the future of small business in Canada is forward-thinking, with ambitious people." Learn more about the Mastercard & Pier Five Small Business Fund, and discover the other 2022 recipients here.

TAMS Where: Toronto, ON What: Designer Having recently relocated from Vancouver, BC to Toronto, TAMS is one of our favourite new local designers. All of her pieces are made using thrifted or upcycled scrap materials and her playful aesthetic is such a breath of fresh air. Making a name for herself with her Challah bag, TAMS has now also expanded into apparel and other accessories, solidifying herself as a well-rounded designer that is here to stay. We got the chance to stop by her studio to catch her working on her grant piece so be sure to swipe through the gallery below and read to learn more. Why are you excited to be a part of the grant project? I really like the idea of collectively working together as opposed to competitively. I feel like we're in this world where we are always working in competition but this grant project is a way to inspire others to come together. You know that if you are a part of this grant or receive the grant, you can then share that energy with others and it will lead to a much better space for creators which we are all striving for. Can you tell us about the pieces that you've made for the grant? I am strongly influenced by my heritage and the Challah bag is inspired by Challah bread, coming from my Jewish roots. The bag feels oversized, plush and playful which is a feeling I want all of my pieces to have. Following along the green aesthetic for the collection, I liked the camouflage material because it's a unique type of camouflage print and can allow the wearer to stand out or hide behind it when they need that protection for the day and just want to be in their own world. See All Designers Lookbook (Coming Soon) Shop (Coming Soon)

The Tale Of A Sneakerhead Who Found Running A couple months ago I had a sneakerhead epiphany. I have too many shoes. This happened around the time I secured one of my grails, the Nike Air Max 90 ‘Bacon’ and then only wore them twice in the preceding month. I waited a full year (since the rumored 2020 release) for this shoe, got them out of luck, and then only wore them twice! Why was this? Well, only one reason. I have too many shoes. Since I've always been a bit of a collector, having a lot of things never bothered me much. The issue with sneakers is how much less each pair gets worn as I continue to buy more pairs. I grew up loving the cycle of beating a new pair of sneakers down and then replacing them only once my toes stuck through the front. Nowadays, I can’t remember the last time I’ve actually worn a pair into the ground and yet the new pairs keep on coming in. I can tie my sneaker consumption habit to a few causes. The first is that I’m a big nerd for design. The technology keeps on getting better and the fact that I do get to wear something, albeit minimally per pair, that I consider almost like art, is awesome. Secondly, I love the hunt which is a huge part of sneaker collecting. Lastly there’s a bunch of other reasons that I’m not as proud of like “hype made me do it” and the occasional “flip”. Yes, I admit that I occasionally resell sneakers, but all of these factors are what has fuelled the obsession that I, along with many others, have for sneakers. So, what does this have to do with running as mentioned in the title? Well, around the same time I was questioning all my decisions regarding footwear, I was also getting more into running. I learned that if I transferred all of my obsessive characteristics to running, I was instantly more fulfilled. The design and tech aspects were obviously there, it was a new hunt for a product I had no idea about and I could regain that satisfaction of really wearing my shoes like they were meant to be worn. It also got me outside way more and made me feel healthier and happier. Running was my ultimate saving grace as a “struggling” sneakerhead and I am riding that wave like no other. The thing with running though, is that while it’s a simple activity at its core, it can be intimidating. It took some time to learn and get into the right groove to really start loving it. So, in hopes of helping other sneakerheads (or anyone for that matter, but this story be most relevant to sneakerheads) who may be interested in exploring this culture that I’ve recently become obsessed with, I reached out to other more experienced runners to share their knowledge on the sport, community and gear. The Guests: Mario LoConte Mario is a co-founder of vintage convention ThriftCon and streetwear label Station. He is a big time runner and is a part of a running team with 48forchange, a non-profit that raises funds for underprivileged and marginalized communities through run challenges. His team is currently sponsored by ON Running. Jes Woods Jes is a running legend! Day-to-day, Jes is a Nike Running coach in New York and also serves as a trainer and coach for Brooklyn Track Club and Chaski Endurance as well as manages a Mile High Run Club location. Jes recently came second in a solo-run, three-hundred mile race from Los Angeles to Las Vegas which she completed in under six days. Daniel Navetta Dan, also known through his social media as The Air Vegan, is an NYC based director and content creator. He is the founder of video production company BRYGHT YOUNG THINGS and fashion sustainability platform news FutureVVorld. Dan is an avid runner and vegan sneaker collector and brings a fresh perspective to the sport and culture. Q1: Why do you like running & how does it make you feel? Mario: Firstly, running is a great way to explore your own city and see it in a different light. I also think that it's fairly easy to progress, but in your progress, the ceiling just keeps moving up and up, so it's a great way to stay motivated. The thing that I might appreciate most about running however is the fact that it isn't enjoyable sometimes. It's hard, it hurts and it makes you want to quit, but you find ways to push through, and I think that ultimately translates to other areas of your life. Jes: How much time do we have? [laughs]. Running makes me feel accomplished. There’s goal setting and working hard to achieve that goal but at the same time, running doesn't always have to be that serious. It’s also a social thing that I get to enjoy with my friends. If you're doing it right, running can be and should be enjoyable. Daniel: I like running because it gives me a break from the outside world. There is a state of "flow" that has become easier to achieve during my runs, and that's the feeling I find myself seeking. When everything is clicking, there is a euphoria and bliss that I don't access in other areas of my life. I also love the community aspect of it. Q2: Are you a collector of running shoes? Mario: I see my running shoes as work boots. I get a new pair and I instantly start setting mileage goals for them - 350-500 - and wonder how fast I can get there. I want them to be completely spent by the end of those miles and I want them to look like it too. Daniel: I wouldn't say that I collect running shoes, because all of my running sneakers get used. I think there's definitely more "collectible" running sneakers than ever before, but I seek them out to put miles on them. Jes: I genuinely don't consider myself cool enough to collect lifestyle sneakers, so my collection is very much running sneakers focused with a dash of lifestyle. Oh, and maybe the Bad Bunny Crocs too! Q3: Many are shifting spending from hype to more technical footwear. Have you seen your behaviour shift like this at all over the last year? If yes, why do you think this is? Daniel: Yes. I think everyone has suddenly discovered a greater appreciation for the outdoors and a small shift away from “hype for the sake of hype”. I'm grateful that I learned this lesson years ago, because I've spent my free time and expendable income on travel and experience as opposed to coveting a bunch of sneakers that sit in storage. Jes: Yes! Thank goodness technical gear is now considered fashion because it's the only thing I'm wearing 99% of the time. Hopefully this shift sticks around for some time. Mario: I would say so. I am starting to think more about the actual composition and construction of all of my clothing and see others doing so as well. I’m making an effort to be more mindful with my purchases and surround myself with more functional, timeless products to cut down on my own waste and consumption. What are you wearing on the road? Mario Shoes: ON Running Cloudflow Apparel: ON Running Lightweight Shorts, Performance T, Performance Long T Jes Shoes: Nike ZoomX Invincible Run Apparel: Jordan Track Cargo Pants, Nike Trail Gear Daniel Shoes: ZoomX Vaporfly Next% Apparel: District Vision Air-Wear Longsleeve, Satisfy Running Gear, Nike NSRL Transform Jacket What are you listening to on the road? Mario: If it's a short distance run I’ll throw on some rap or a random metal playlist (which I never listen to) because it's nice to just have some wild music playing in the background that I can push to. For longer runs, I’ll do something more mellow:, rap, pop, 90s/00s stuff. I'll even throw on a podcast every once in a while to try and learn something while I run. Jes: Here we go! The Greatest Showman soundtrack. On repeat. Over and over again. Sometimes for upwards of 9 hours (on a 50 mile run). Daniel: Wild story - For the first marathon I ran, there was a rule against headphones, so I had to run in silence...that was quite an experience. Nowadays, I listen to everything from the DJ Premiere/RZA Verzus playlist, to "War on Drugs", to the NY Times "The Daily" podcast, to books like, "Power of Now" and "Breaking the Habit of Being Yourself". I'm always trying to dial in the right mood, for the right day, to achieve the perfect run. Final Thoughts from Pier Five The purpose of this story was not to tell you all to stop buying shoes. I can’t honestly say that I am going to stop and I am not the right person to tell you to. If you do want to learn how you can think about your consumption more responsibly, Daniel’s FutureVVorld is an amazing platform for this. Ultimately, this story was meant to inspire you to try something new. For me, it was running but there are a million activities that exist that we can bring our compulsive sneakerhead characteristics to that can make you happier. Finally, if you made it this far and you’re still no more excited to try something new, then all I can say is the next time you overpay for some kicks on StockX, at least wear the damn shoes more than twice a month! For more on Mario, Jes & Dan, check out their IG and keep it locked to Pier Five for more stories and interviews with the best in fashion, art, business, sports, food & more. Mario: @imnotmars Jes: @jeslynnyc Dan: @theairvegan

Ready For Anything With Bimma Williams For almost any creative, the dream is to be your own boss and turn your side-hustle into your career. It's shiny, there's freedom, more money if it's successful and so many other possible upsides. When Bimma Williams, sneaker professional turned expert conversationalist and host, left his stable career in the footwear industry to pursue his passion project Claima Stories full-time, these were the things he was after; and over time, he's been getting them, but not without some surprises along the way. Now with nearly fifteen years under his belt as an entrepreneur, five of which on Claima working with and interviewing some of the biggest names in the culture, Bimma has some stories of his own to tell and secrets to share with our community. Read the conversation below! Having left your 9-5 for a life as an entrepreneur and freelancer, what's something others thinking about doing the same should know? When most people consider freelance or starting a business, they often fail to realize what they are agreeing to take on. My creative expression is being a host, speaking, holding conversations, and now teaching as well. When I took that on, I'm not just taking that on. I'm also taking on, "how do I market and put myself out there?" Then you're in on finances. "How do I price myself?" Then you're taking on Operations because you need to figure out how to pay expenses and work on taxes and all of that stuff too. You're very involved in a lot of different things. You need to have the ability to harmonize all these different things. One thing to remember though is, yes, it is challenging but it's not impossible and there's also the opportunity for greater reward. You seem to be very humble with money and smart around spending on creativity. Are you thinking about that a lot? With any creative, when you get access to funds, the first thing you probably want to do is the biggest, shiniest thing possible. If you had all the resources in the world, you would leverage them but the interesting thing about that is, it's a mistake. We've seen it time and time again. When folks get too many resources, it actually diminishes their creativity. Some of the most creative projects and some of the best albums, did not have these glorious, gigantic budgets. They were just pure passion. When we did get that funding and that investment, we made some investments and some enhancements to production, but at the same time, we tried not to spend too much of that revenue. We would reach out to a brand and see if they would send us some microphones or some cameras or anything to keep the cost down. That money goes fast and you want to be super cognizant of how you can leverage it to get things to the next place over and over again. You've spoken about this concept of 'being ready' for opportunity. How does one do that? First of all, no one likes to hear this but you're never ready. It doesn't matter what the opportunity is because likely the opportunities are going to come from a place that you couldn't predict. Secondly, the opportunities are likely going to stretch you and so you have to make a decision on if you feel like you can rise to that occasion. One of the things that Will Smith spoke about in his book, that I love, is when you also are determining if you're ready or not, it also comes down to not being overly analytical and not overthinking the opportunity. When it's someone that you trust and they're bringing you an opportunity, to me, that opportunity is the one you need to say yes to and so sometimes being ready is purely just a mindset thing. You have to be ready in your heart. You need to be ready when it comes to how you want to put yourself in that situation. When you think about being ready, those are the things you need to think about. Once the opportunities and the audience come, it can feel tough to keep up with output demand. Have you every struggled with that feeling? All of these major media companies like Hypebeast or Complex, they all have huge content teams. This is why they can execute so much all of the time but as an individual, execute where you can execute. We've seen time and time again, so many different young creatives that may not have those systems, but they cut through with their thing. One of my favorites is Lynae Vanee. She puts out one video a week, and that thing cooks. She does her thing and she's not trying to compete with volume. She's competing with quality. I think when you have quality and you know your audience and you're hitting that sweet spot, people are always going to respond. They're always going to show up. When I came back, folks had missed me. It was clear. The response was there. So if I go away, it's not like I'm being forgotten in this sea of content or storytelling that's going out. So I think it's just important to remember that. Lastly, what do you think is the most important thing for any creative to understand, regardless of the industry? It's really important to develop a 'no bullshit mindset'. We can come up with a number of reasons why we won't do anything but I made an agreement with myself a long time ago was that there's nothing that's going to replace doing the work. That being said, I'm not going to feel 100% every day and it's okay if I decide, like, today I ain't got it. I'm going to take that break. If I can't put out something meaningful, what's the point? The world's not going to end and my audience isn't going to disappear because I needed to make sure I took care of myself. You can't do anything right if you haven't taken care of yourself first. Make sure to follow Bimma's Instagram for news on all of his upcoming projects and keep it locked to Pier Five for more conversations just like these!

A Conversation With Ostrya Equipment Photo: @samuelpasquier As a new brand, it can be very hard to go up against the big dogs. Finding a hole in the market and filling that space with a unique offering is key and Ostrya Equipment, a technical wear brand from Montreal, Canada is doing just that. Having observed many of the Canadian outer and activewear brands like Arc'teryx and Lululemon, which are designed in Canada but not actually made there, Ostrya founders Francois and Simon are putting Canada back on the map with hand made, top quality technical garments designed and produced here in Canada. With a team of less than ten but a passion as large as hundreds, Ostrya is showing that the best things can be achieved locally and has attracted a very large network of tech heads and fashion lovers alike. Taking things day by day but with visions of the future, Ostrya is focused on its mission and making big waves one stitch at a time. Hey guys! Thanks for taking the time to chat. Over the last year and a half, GorpCore - outdoors technical fashion - has become a mainstream style choice for many. While Ostrya is technical first, how important is the consideration around fashion for the brand? It’s great that technical wear has been adopted so heavily into mainstream fashion. We’re always thinking about this but we try not to let it influence the designs too much. Our main focus is creating products that can outperform any other. It’s cool to see that the fashion clientele are starting to look more at technical wear and made in Canada products and we’re happy they like our pieces but it’s always function first for us. We also know that price point may be a factor that can impact who is consuming our products. We sell expensive products because they’re the best and made by hand here in Canada. There’s no fashion or hype tax here. We’re breaking our backs to make the best product. If people are down to support that, then that’s great, no matter how they’re consuming it. Would there ever be an expansion into more fashion first products do you think? We’ll definitely make some product that is less technical down the line but not necessarily as a way to please the fashion clientele. Our goal is to continue to show that we can make more great products in Canada so that will always be the core meaning behind our product lines. I don’t think we’d ever just make a fashion line though. While fashion may not be the core focus, you’ve definitely caught the eye of some top tier fashion retailers. How does it feel to be a technical first brand selling in stores like SSENSE and Better Gift Shop? It’s definitely a pretty cool thing [laughs]! SSENSE was actually the first retailer to place a wholesale order with us which was awesome. They can buy from the biggest brands all over the world so to see them support us as the smaller local brand was an incredible feeling. It’s wild thinking about how they carry our chalk bags and people buy them. It’s funny because we don’t really know what people are buying them for though. Maybe people are buying the chalk bags to put a wine bottle in and that’s fine with us. It’s a really nice and well made bag so maybe that’s enough for them to buy and if it then inspires them to try climbing one day because they have the bag, that would be the best possible thing to happen. Love that attitude! The both of you come from technical design and production backgrounds so the foundation for creating the garments has always been there. What was it like coming at Ostrya from an entrepreneurial angle where you were now also responsible for things like brand development, finances and building a team? Oh man, it’s really intense. It’s a lot of work but it’s super fun. We both really complete each other. We have the same vision and that is super important to run a business. We’re learning every day. It’s like a never ending puzzle. There’s constantly new problems that you need to solve and things can take a long time and it can take a while to see the money. We have some nice days and some tough days but overall when I think about it, having Ostrya is great. When we were shipping things to retailers a while back, I just looked at it and thought “this is crazy'', seeing those boxes that used to be just rolls of fabric and now we’re packing garments. It’s crazy to step back and see it all happening now and having those moments where the team can chill and have a beer and just be happy about all the progress we’ve made makes all the hard times worth it. Do you have any tips for new entrepreneurs just starting out? It’s funny because we get asked this every now and then but we’re still super young and learning every day. I guess there must be some things we’re doing right though [laughs]. The main thing I’d say is that there’s no right time to start or launch your project. It’s easy to work and wait to launch forever but you’ll never be totally ready. You just need to start and then learn as you go. Once you’re going, don’t be afraid to seek out for help and advice and get another opinion. There are a lot of people around you that know things better than you and will be willing to give their time if you ask for it. Those are great tips. What would you say is the biggest mistake you’ve ever made? Hmm, that’s a tough one. It’s not necessarily a mistake but sometimes we laugh about how it would have been so much easier not to establish ourselves as a made in Canada brand. That’s what we are and our passion is in quality made in Canada goods so we’ll never change that but we know it would be so much easier if we just made it overseas. That’s our differentiator though so we know we have to stick with it. Lastly, while we bundle up for a brisk winter, what can we expect to see from Ostrya over the next few months? For Spring 2022, we’re making trail running and climbing gear as well as some more casual gear like hemp shirts and shorts. That will be more of a line or full collection than this past Fall/Winter line was and we’re super excited to have a bigger offering. While we’re growing so much though, we want to keep things small and close to home. We don’t want to grow too quickly to a point where we lose control. We want to ensure things are always enjoyable for everyone here on the team. Interesting. Have you thought about that growth more long term, like where you might want to be in 5 or 10 years? We’re taking everything one day at a time but we’re also trying to think about things more long term now. It’s hard for a young business to think like this because there’s a lot of uncertainty but, at the moment, we’re thinking about 5 years down the line a bit. We want the vibe of the company to be really great and focus on the culture for all of the people that work here. That’s key no matter what the growth looks like long term. If we can have a great culture and keep putting out the best possible product, that’s the win. Love that! Any final thoughts? Come to your showroom! It’s so good to be able to feel these clothes in person and try them on. Every time people come by and try on the jackets, they absolutely love them and it’s always a good time chilling here. For updates on new releases and events coming from Ostrya Equipment, follow their Instagram and keep it locked to Pier Five for more interviews and stories with the coolest entrepreneurs, designers, artists, activists and more.

Continuing The Legacy With Nick Vo We are thrilled to award Nick Vo of @nicksjewellery as the recipient of the first ever Pier Five Creators Grant! Nick’s story was one that really inspired us and resonated with our story and the story of so many other young creatives that we know. In just a short time, Nick has helped elevate the wonderful jewellery shop that his parents started 20 years ago, becoming a staple in Toronto for creative communities to connect over beautiful (and often custom) jewellery. With the money from the grant, Nick hopes to bring in new machinery that will increase the capabilities of the shop and the level of service that he can provide to the shop’s clients. We spoke to Nick about his aspirations for the business, the importance of his community in what he does and the type of mark he hopes to leave on his family when it's all said and done. Continuing the family legacy. My biggest inspiration is my parents. They're the ones who raised me and it's my time to give back to them and to take care of them. They've been through a lot. They sacrificed a lot and it's now my turn to both elevate the business and also carry on the family legacy. My grandparents were jewellers. My parents are jewellers and now I'm the next generation to do it. We all eat together. I hope to create opportunities for my friends and family. I want them to eat with me and I want them to always stay hungry. I think that if I'm able to help myself and love myself, I'll be able to do the same for them. It's a two-way street and I really hope to create every opportunity for them. Collaboration is key. I think the key to success is working with others and collaborating. With jewellery and other mediums, we all intersect. I think the best way to win is to work with each other and uplift each other. It's important to support those who are around you and who are in your network and that will allow you to grow and expand your network. There needs to be more love in the world and we need to support each other more. The future of Nick's Jewellery. My long term vision for Nick's Jewellery is to make it a hotspot in Toronto. Just like when you go to New York, you go to different jewellery shops like Popular Jewellery and New Top Jewellery. I want it to be that when people come to Toronto, they make a pit stop at Nick's Jewellery. I want it to be a space where different creators and consumers - anyone from any walk of life - can come in and work together and be able to purchase jewellery. I want it to be like a studio and a jewellery shop at the same time. Thank you to everyone who supported the Pier Five Creators Grant! We could not be happier with how everything rolled out and are so happy to be able to have presented Nick with $3,000 to help take his business to the next level. Make sure to check out Nick's Jewellery on Instagram and stop by the shop if you're in Toronto!

Mental Movement Day with Pier Five and Puma Brings Toronto’s Creative Community Together for Yoga, Wellness, and Open Conversation On Saturday, May 24, Pier Five and Puma brought Toronto’s creative community together for a powerful afternoon of movement and mindfulness at Kula Yoga. Mental Movement Day, an intimate wellness experience for 25 creatives, entrepreneurs, and small business owners, blended yoga, thoughtful conversation, and community building into one energizing and inspiring event. From the moment guests arrived, the atmosphere was set for connection and care. Each attendee was gifted Puma workout and yoga gear, which quickly became a highlight of the experience; functional, stylish, and perfect for the afternoon’s yoga session. Before class began, Electrolit provided refreshing energy drinks, helping participants stay hydrated and energized for the flow ahead. Led by a certified yoga instructor, the class encouraged participants to slow down, breathe deeply, and reconnect with themselves through mindful movement. In a city as fast-paced as Toronto, the opportunity to pause and reset in a beautiful, welcoming studio like Kula Yoga was deeply appreciated. But the day didn’t end with just movement, it evolved into something even more meaningful. After class, Pier Five hosted a roundtable discussion focused on mental health, burnout, and strategies for managing busy, often overwhelming schedules. What made this part of the experience so special was the openness and honesty in the room. Attendees were encouraged to share their own tips, challenges, and stories in a judgment-free space, creating an atmosphere of empathy, support, and community. For many, Mental Movement Day was a much-needed reminder that taking care of your mental health is just as important as staying physically active. It also reinforced Pier Five and Puma’s shared commitment to supporting entrepreneurs and creatives, both professionally, and personally. As one of several ongoing collaborations between Pier Five and Puma, this event underscored the power of community-focused wellness programming. The blend of movement, meaningful conversation, and high-quality gear made for a standout afternoon that left everyone feeling refreshed, motivated, and connected. If you are interested in getting involved with Pier Five events, send us an email at community@pier-five.com .