Showing Up With Liz Beecroft After twelve very interesting months, we got the chance to catch up with one of our earliest guests; psychotherapist, LCSW, founder of MENTL.SESH and style queen Liz Beecroft. Liz has been on a roll since our last conversation, building and launching her private practice, making big moves with brand collaborations, leading in-person events promoting mental health and some of the best fit pics on social media. After a year of uncertainty but much excitement, it was only right that we catch up with Liz to chat about how she's feeling coming out of the pandemic and everything she has in the works. Check out the highlights from the conversation below! So, Liz! How have you been over the last 12 months? "Really good! There have been a lot of amazing opportunities that have been coming in. It's been really busy with a lot of restructuring with the team but all good and we recently had a great activation at ComplexCon and with MSG for Women's Empowerment featuring MENTL.SESH. I'm really spending a lot of time now trying to position MENTL.SESH properly so that we can do more in-person events which is really exciting!" Everything with MENTL.SESH lately has been really awesome! "We have a lot of exciting opportunities this year where we can quite literally meet people where they are and teach them how they can bring mental health into these spaces. We actually want to give you skills and get something for your mental health out of these experiences." March is the month where all the brands bring out their "Women's Empowerment" content but we keep an eye on who continues to do the same year round. May is the same for Mental Health. How are you looking at this when you see companies posting about these causes? "I’ve been doing a lot more trainings over the last year where I'm training companies internally on mental health in the workplace and I think that has given me a really good look at what brands are really doing it the right way and starting internally first and then going externally with that message. Having people who are not only really good at their jobs and talented in their respective craft, but who also have passions about a diverse range of causes, is really important because when you look at leadership, you want to make sure that those people are walking the walk and modelling that behaviour for other people. That’s also going to seep through to different teams and throughout the company." Liz on how to approach the world re-opening again. "Just like it was a huge adjustment to go into lockdown, it’s now going to be another huge adjustment to get back into what we've known. Our bodies and our minds have all adapted to slowing down. It’s OK to feel like you don’t really have the motivation and energy to do something all the time. It's normal." (LISTEN BELOW) TALK NICE TO ME! "If you aren’t feeling it, don’t force it. Listen to yourself, give yourself grace, be gentle and really start talking yourself in a nice way. We have to start first with ourselves because of the way we speak to ourselves matters. We need to really talk nice to ourselves and when we do that, everyone else and can also talk nice to us because we will be kicking ass!" You've mentioned that you don't just want to be known as the "Sneakerhead Therapist" anymore. How does tying into where you're at and what you're interested in to your brand? "I think it's all about growth. We have to be self aware and know what we do and don't want for ourselves because that's how we can set different goals and go after them. I've grappled with this for a while but I know that I can still love sneakers and I don't need to have a collection of 270 pairs and that does not take away from what I do and don't know about shoes." Lastly, we know you have a big wedding coming up! Any big plans for that? Yes! Can't wait to be together with all of my family and friends again. Crocs is sponsoring! White crocs for everyone! ...and I have a plan to get Post Malone to my wedding! (Watch Below) Make sure to keep up with Liz on Instagram as well as MENTL.SESH and keep it locked to Pier Five for more conversations with the coolest entrepreneurs, designers, artists, activists and more out there.

Apply For The Grant! Thank you for your interest in applying for the Pier Five Creators Grant. This grant is aimed at emerging creatives, entrepreneurs, designers, artists or anyone who has a creative passion that they are looking to take to the next level. We are pleased to offer a financial grant of $3,000 CAD to one recipient who may use the funds to help kickstart or continue their creative practice, whether for equipment, courses, materials, travel, etc. Note: This grant is open to residents of Canada, The United States of America, Mexico, The United Kingdom and Europe. *Apps Now Closed*

Slipp Slipp Who: Victoria Lyons Where: London, ON Instagram Website How would you use the $10,000 CAD fund for your business? See All Winners

Studio S Where: Toronto, ON What: Designer / Artist Sylvia Hoang is the maker behind Studio S, a Toronto-based brand which explores artistic items that serve a functional purpose as well. Her main medium used is concrete, drawing on her love for industrial materials. We've known Sylvia since her early days (and ours), watching her fanbase grow as she continues to drop amazing pieces for the home. We got the chance to speak with her about the beginnings of her journey which you can read here and whipped up something special for the grant project. Why are you excited to be a part of the grant project? I feel really honoured to have been asked to participate in the grant project. I still consider myself a very new creative. I think it's really important to amplify new creatives and create opportunities for those that don't have all of the needed resources and invest in them because it will help us go further as an entire community. Can you tell us about the pieces that you've made for the grant? For the Pier Five x Studio S collaboration we went with the Jordan 3 which is one of the most iconic silhouettes in sneakers and dyed the concrete green which is something that I've never done before. It was a really interesting experience and took a lot of trial and error but in the end, we came out with something very unique that will add a nice hit of colour to any room. See All Designers Lookbook (Coming Soon) Shop (Coming Soon)

Job listing for Pier Five's Brand Partnerships Manager role Brand Partnerships Manager (Full Time, Remote) Toronto, Canada | Full-Time | Hybrid/Flexible Base Salary: $65,000 CAD + Uncapped Commission On-Target Earnings: Approximately $110,000 CAD Ideal Start Date: November 2026 About Pier Five Pier Five is a community and media platform built for Canada’s entrepreneurs, small business owners, creatives and emerging founders. We create content, experiences and opportunities that help ambitious people build their businesses, develop their ideas and connect with others doing the same. Through our community, events, original content and brand partnerships, we work with leading companies to create meaningful ways for them to support and connect with the next generation of Canadian builders. As Pier Five enters its next stage of growth, we’re looking for a Brand Partnerships Manager to help build and grow our partnership business. The Role This is a full-cycle sales and partnerships role for someone who is excited about building relationships, developing creative ideas and generating new business. You’ll work directly with Pier Five’s founders to identify and connect with brands that want to reach and support entrepreneurs, small business owners and creatives. You’ll own your sales opportunities from end to end, from identifying prospects and opening conversations to developing partnership ideas, building proposals, negotiating and closing deals. You’ll also work collaboratively with Pier Five’s CEO and founding team on larger and more strategic opportunities, while building and managing a pipeline of your own. This isn’t a role where a list of leads will simply be handed to you. We’re looking for someone who is hungry, curious and proactive. Someone who enjoys finding the right people, starting conversations and figuring out how to turn an initial introduction into a meaningful partnership. You’ll also have the opportunity to help shape Pier Five’s sales function as we grow. A quick note on scope: This role is focused specifically on partnerships across the Pier Five community, media, content and programming business. It does not include sales for Pier Five Studios, the creative agency within Pier Five Inc. What You’ll Do Build new relationships Research and identify brands, agencies and decision-makers that align with Pier Five and our community. Develop and manage your own prospect pipeline across categories including financial services, technology, business software, creator tools, e-commerce, professional services, travel, hospitality, lifestyle and more. Create thoughtful, personalized outreach that gets conversations started. Attend industry events, Pier Five programming and other opportunities to build relationships in person. Develop and sell creative partnerships Lead discovery conversations with prospective partners to understand their goals, priorities and challenges. Work with the Pier Five team to develop partnership concepts across content, community programming, events, original series and other brand integrations. Build and present proposals that connect a brand’s objectives with opportunities that genuinely provide value to the Pier Five community. Negotiate partnership scope and pricing and move opportunities through to close. Own your pipeline Manage opportunities and relationships through our CRM. Maintain an active and accurate pipeline, including prospecting, follow-ups, proposals, forecasting and next steps. Consistently generate new conversations and opportunities while progressing existing deals toward close. Take ownership of your revenue targets and help Pier Five build a predictable, scalable partnership business. Grow partner relationships Remain a senior relationship owner after a partnership is sold, working alongside Pier Five’s production and creative teams to ensure partners have a great experience. Identify opportunities for renewals, expanded partnerships and longer-term relationships. Our goal is not simply to sell one-off campaigns. We want to build partnerships that grow over time. Who We’re Looking For You likely have 2–4 years of experience in business development, brand partnerships, sponsorships, media, experiential marketing, influencer or creator marketing, agency services, branded content or another relevant commercial role. You do not need to come from a traditional media company. More importantly, you: Are genuinely excited by sales, relationship building and creating new business Are comfortable prospecting and starting conversations from scratch Can communicate confidently with everyone from entrepreneurs and creatives to senior brand and agency marketers Are creative and can see partnership opportunities beyond simply selling existing inventory Are highly self-directed and comfortable working independently Are organized and able to manage multiple relationships and opportunities at once Have strong written, presentation and interpersonal skills Understand how to balance persistence with building genuine relationships Are interested in entrepreneurs, small businesses, creators and the people building the next generation of Canadian companies You’re Culturally Plugged In Pier Five sits at the intersection of business, creativity and culture, and we want someone who naturally pays attention to that world. You follow what brands are doing. You notice interesting campaigns, partnerships, events and experiences. You understand creators and social media. You’re curious about emerging companies, entrepreneurs and the people shaping culture. You can walk into an event where you don’t know anyone and start conversations, but you can also walk into a meeting with a major financial institution or technology company and confidently represent Pier Five. You know how to be casual when the environment calls for it and polished when it matters. Why Join Pier Five This is an opportunity to join Pier Five at an important stage of our growth. We’ve built a strong foundation, an engaged community and relationships with leading brands. Now we’re building the commercial engine that will help take Pier Five into its next chapter. You’ll work directly with the founders, have significant ownership over your work and have the opportunity to help shape how Pier Five approaches partnerships and sales. As the company grows, we want this role to grow with it, whether that means becoming a senior individual contributor, taking ownership of major strategic accounts or eventually helping build and lead a larger partnerships team. We offer a flexible working environment with significant independence. While we work remotely, this role is based in the Toronto area and will involve regular in-person meetings, events and community programming. Compensation Base salary: $65,000 CAD On-target earnings: Approximately $110,000 CAD This role includes an uncapped commission structure designed to meaningfully reward strong performance. There is no ceiling on earnings for someone who substantially exceeds their sales targets. Full details of the commission plan will be discussed during the interview process. What Success Looks Like In your first few months, you’ll learn Pier Five’s community, products, partners and sales approach while building your prospect universe and developing new relationships. Over time, you’ll independently manage your partnership sales opportunities from prospecting through close, consistently generate new brand conversations, maintain a healthy pipeline and develop partnerships that create real value for both our partners and the Pier Five community. You’ll work closely with Pier Five’s founders on strategic opportunities while increasingly taking ownership of your own relationships, accounts and revenue. Most importantly, you’ll help us build a partnerships business that can become a major part of Pier Five’s future. Apply If you’re excited about sales, partnerships, entrepreneurship and culture, and you want the opportunity to help build something at an early stage, we’d love to hear from you. Send us your resume to community@pier-five.com with the subject line Brand Partnerships Manager Application - [Your Name] along with a short introduction telling us about yourself, why Pier Five interests you and why you think you’d be a great fit for the role.

Easy Going With Lorenzo Brunetti Of END. Clothing The active world of fashion collaborations is one that can be exciting at times and overwhelming at others and as a large player in that space, Lorenzo Brunetti who is a collaborations designer at END. Clothing, is always ensuring that he's putting his best foot forward. As someone with over a decade in the fashion industry, he has learned a thing or two about what makes a project important and when it comes to collabs, he has been behind some of the most notable in the streetwear space over the last few years. We got the chance to chat with Lorenzo about his journey to becoming END.'s collabs designer, his tips for those looking to get into the space, how his style influences his work and much more. Hi Lorenzo, this conversation feels like a long time coming! For those who don't know you or what you do, can you tell us about yourself? Hey guys, glad to be chatting with you both! Well, my name is Lorenzo Brunetti and I'm a collaborations designer for the British fashion retailer END. Clothing. I work between the buyers and marketers to put together collaborations, primarily in footwear but more and more apparel. I have been with END. for nearly 4 years and have worked in the design and fashion space my whole career, since about 15 years old, working various internships and jobs at brands like Churchs, G-Star Raw and Omar Afridi. As someone on the collaborations design team, what does your day look like? The day usually starts with emails, whether that's with internal buyer or marketing teams or collaborator partners. Once emails get cleared it's a lot of time spent on creative briefs for collaborations. With product like this, we're planning around a year in advance so these days it's a lot of briefs with brands for 2024 already. How do the collabs usually come about and how do you plan for these types of projects so far in advance? A lot of brands we have longstanding relationships with since the store has carried them for so long and we've done collabs with them before so that helps to start the conversations. We're always doing our best to predict trends in the future and often lean on our buyers too for this since they are always looking into the future so that's how we might land on a new brand to collaborate with, but we will focus on brands that are carried in the store. From a design standpoint for the project, we're all about trying to cover a wide range of products and price points so that there is something for every customer. This is one of the reasons that we are expanding collaborations beyond footwear a lot more and getting more into apparel, accessories and home goods. What do you think the key to a successful collaboration is? You definitely need to be easy going and open minded. A collaboration is like a marriage between two brands. If you're not open to the other's ideas and opinions and always just pushing how you think something should be, then it will never work well. The building of the concept and storytelling is also really important from a full launch and execution standpoint. The collaboration is not just about the product itself, it's about the campaign and the creatives that tell the story and ultimately sell the shoe. We spend a lot of time making sure the concept is on point before diving into the design and that always helps through to the end. That's a great point on concept and storytelling. It feels like a lot of collaborations these days are just money grabs without a lot of thought. Yes, unfortunately a lot of brands out there, big and small, simply just collaborate to put their logos beside each other and sell it as an exclusive drop and it's easy to see when there isn't really much thought put into the other pieces of the project. Definitely not to say that's most collabs but something that we're always making sure of at END. is that we can't ever look at a project and think that it was just a logo mashup. What advice would you give to someone younger who is looking to get a job like yours? Getting your foot in the door in the fashion industry is key to eventually get into the world of collaborations. This can be done with any brand at any level - internships can be a great place to start - but just being in a space where you can start understanding how branding is done and how product comes to life will really help. Building your network is also really important. Reach out to anyone who you think is doing something interesting for a chat. Even if they don't have an opportunity for you then, you never know what meeting that extra person could open up for you in the future. Now that you're a few years in, what would you say is one of your favourite projects that you've worked on? The first was the Reebok Beatnik that we did. I think the concept was really great and it played super well into the Beatnik with the hairy suede and faux fur lining. The Beatnik was also having a big moment then so it was great to see how much people were into it. I also think we did a great job on the Diadora Grappa and Limoncello pack. The shoes were great and the photoshoot was super fun, which I think, after COVID, everyone needed. Would you say that your personal style influences your designs? Definitely. Most of the stuff I own, besides my shoes, socks and underwear, is vintage so my closet acts like my own archive in a way. I love buying old Americana like some vintage Levi's or slogan tees. It's awesome to be able to pull pieces and reference interesting stitch patterns or details that you can't find in modern day products and use them as ideas for new collabs. Makes total sense! Lastly, what's what brand you haven't worked on yet but would love to? I'd love to work on Mephisto! Concepts did an awesome job with Mephisto on that vintage-inspired Apple shoe and I'd love to do my own spin with them. We carry a ton of their product so maybe one day! Check out Lorenzo's Instagram for more behind the scenes of his projects at END. Clothing and keep it locked to Pier Five for more conversations with creative leaders just like this!

From The Streets To The Big Stage With Kizmet Change is inevitable but you can’t always wait around for it if you want to find success. For Toronto based graffiti and lighting artist Kizmet, taking matters into his own hands was key. While the general population was taking its time to decide whether or not graffiti art was for them, Kizmet was carving his path through the underground arts and music scene and making a name for himself. From the streets to the big stage, Kismet is a prime example of taking initiative and not being afraid to put in the hours and it shows, big time. Read through the interview with Kizmet below where we dive into his early beginning, what gave him the courage to pursue his passions, what he’s excited for in this ever changing world of art and much more. Hey Kizmet! For those not familiar, can you tell us a little about yourself? Hey I’m Kizmet, and who am I? That’s something I like to let people figure out themselves. Maybe this conversation will help [laughs]. And figure out we shall! What’d you get up to today? I was in my studio most of the day. There are a bunch of pieces I’m working on so that’s keeping me busy. You’ve talked a lot in the past about how your studio space in Toronto is really your comfort zone. What are the keys to a great studio/work space? When I used to do a lot of music, I always wanted a space where I could have all of my stuff and get everything done there. Now, with art, it’s the same way. Kind of like in the Shedders Lair in the first Teenage Mutant Ninja Turtles movie where all the kids are just chilling spray painting, blasting music being creative doing karate and there’s like some dude just offering kids cigarettes. Everyone is just doing their thing. That’s what I want minus the encouraging kids to smoke[laughs]. The key for me is that I could be there at any point, day or night, doing whatever I want and nobody gets mad. Like if I play a drum set at 4am in the morning nobody is going to call the cops. It’s like having a clubhouse. I can get work done or if I wanted I could watch a film on a projector screen or I could play drums or me and my studio mate can Jam or play video games on the big screen. Who inspired the faces that we see prominently across your artwork? I haven’t really shared this formally on many platforms so this will be a first actually. I often don’t talk about the context of my paintings personally. With street or graffiti art, the artist is often anonymous and so the viewer needs to create their own interpretations of the works. That’s what I want for my work. That being said I have always had meaning behind the works so here it is. I’m huge into Sci-Fi. So with the faces, I wanted to create a new reality that would change over time. First they wore glasses, then those came off and you saw there weren’t any eyes, and then the faces multiplied and the narrative kept on changing. And in the end it turns out these faces are a robot tricking you into falling in love with it. It’s all about coercion and one the original presented concept turning out to be one big lie and everything is a connected story. Damn! That’s wild. Did you know when you started the faces that it would turn into that huge story over multiple years? At the time I started doing these I was in this transitional phase with my art and so I started creating these faces and actually built this entire story and knew where I wanted to take it from the beginning. I knew I’d be able to get better over time as an artist which would allow me to develop the characters further and keep making them better so that when it came time to talk about it, it would all be ready. Did you also plan on using them for live events or was that part decided afterwards? Ya so the idea was to be able to bring them to shows/events and tour them around. I’ve always been really big into music and events so I wanted to be able to bring my work there. Also the impact of bringing work to music festivals and seeing people interact with it in person there is amazing. Its something you don't really get in a gallery or just with a mural on a wall. There’s also a ton of elements that you can play with too like with smoke and lights which is epic. How big is that for you? I’ve been doing light murals for a little while. It’s really crazy about how light interacts with colours. It’s not like normal colour mixing. You get these wild combinations of mixing light with paint and what colours will turn into what when certain light hits it and you can play with different elements and make these pieces really come to life. You can make it so stuff is hidden or morphing and people trip out watching it. Sometimes I make the transitions slow so you don’t even realize what’s happening in the moment until the image has completely changed colours. Going back to your roots now. What was the evolution of going from graffiti to this experiential art like? I kinda always knew that this was going to be what I make my living on. The whole tags and street bombing thing is really just advertizing to get your name out there, but I knew to make a living I would need to put more thought into conceptualizing. For me it wasn’t so much of changing the art style but it was me being more serious and that led to the transition which has been a good one. Was there a moment or turning point where you knew you’d be able to make this work out as your career? I got kicked out of high school for some graffiti shit and went to a new alternative school where there were tons of artists. The head of my new school, John Morton, told me “this is a democratic school. If you want to paint the school, cool. Make a proposal and maybe you'll even get paid for it. Just let us know how and when you want to do it and if everyone is ok with it, you can do it.” I was so shocked. I presented it to the school and everyone was hyped about it. Now I don’t even think there’s space left because the entire place is painted up. The school got covered. Once people found out it was cool to do, everyone went nuts. It started in the hallways, the stairwell, the lunchroom and then it just got everything. They even painted the outside of the school. It looked sweet. That introduction of a safe space where I could have an idea and it would be approached with an open mind was what showed me there might be a long term opportunity with this. That’s an insane story. Maybe hard to top but do you have a “greatest story of all time” from your tagging days? Honestly all the days of tagging were just insanity. If you were somewhat tapped into that culture back then you’ve probably had some crazy f**** up experiences. Like everyone is nuts. The lifestyle of being out super late, running from cops, tons of partying, is kinda crazy in itself. I would tell these stories to people that were not part of that culture and they’d all just think I was lying. The stuff is truly unbelievable. Are there any stark differences or changes that you’ve observed with graffiti art and culture over the years? The biggest thing now is street art is very accepted and also highly funded. Back in the day it was so criticized like once I was painting a garage for someone and the neighbour came out with a baseball bat and was threatening to beat me up because he thought I was tagging. Recently though I was doing a garage for someone else and the neighbour there came out and was like “what about my fence? I want a mural too.” I was shocked. I thought he was going to be pissed off but he was jealous. He literally said “I’m a taxpayer and I should have my fence painted too”. [laughs]. Why do you think things have changed so much like that? I think it was that the city really got behind it. They finally accepted that you can’t fight graffiti because you don’t know who it is and it will NEVER go away. It used to be that if someone tagged on your business, you had twenty four hours to get rid of it or you’d get fined, so as a result business owners just started commissioning murals to get around the rule. Then programs funding murals came around to deter people from just aimlessly tagging. It’s been a slow transition but a good one. I also just think some people need some sort of authority or what they consider a validated entity to say it’s ok and then they’re quick to accept things. Any tips/tricks that you’d give to young artists of stuff of the trade you wished you knew when you started out in graffiti? There’s this whole starving artist mentality that leads to artists getting taken advantage of by these big companies and corporations who don’t pay well and treat the artists poorly. I think it’s important for artists to know that it’s completely ok to walk away in the middle of the job if you’re not getting the respect or being treated properly. Protect yourself and your representation. Don’t let money control everything you do. I know some artists take jobs and feel like shit after because it was a terrible experience but they wanted to be able to say they worked for that company to feel validated. That’s just so not how art should be. No matter who you are - and I know it’s easier said than done - but stand up to these big corporations or anyone not treating you fairly. Until people do this, nothing will ever change. Once you do this and you start prioritizing yourself, you’ll actually open so many new doors. These great clients and jobs do exist. Be patient and protect your values and you’ll find them. Lastly, what keeps you inspired to continue creating and what are you looking forward to next? The DOCD (Department of Civilian Dance) parties we’ve been throwing, like the raves, have been challenging me to keep being creative and force me to always one up myself and that’s awesome. It’s a pressure that I put on myself but I know if I do so, I’ll keep creating and getting better to the point where I’m surprising myself. That’s the best feeling like “holy s**t, I made this?” [laughs]. I’m also really inspired by all these new faces that are doing great work and that I know are going to be huge. We’re close to a point where everyone can really thrive together as things change. It’s a really exciting time in Toronto right now. It feels like the renaissance of DIY culture and I’m super stoked for it. Check out Kizmet's Instagram to find out about upcoming events and see more amazing work coming from Kizmet and keep it locked to Pier Five for more interviews and stories with the coolest entrepreneurs, designers, artists, activists and more.

A Conversation With Jon Elias of Lost & Found Jon Elias is the Co-Founder & Co-Owner of Lost & Found, one of Toronto's best menswear stores. Jon has an experienced eye for the best menswear brands around the world from international hotspots Japan, Australia, London & Paris. When he's not running the shop, Jon is also an avid collector of art and is known to hit a nice jumper on the basketball court. @jhoo04 / @shoplostfound There's always a great influx of new brands in the shop. What are 5 of your favourite right now? Engineered Garments, The Real McCoy's, Lady White, Norse Projects and Alden. I mean I could replace those with 5 other brands. Honestly, all the brands we carry in the shop are important to me if they weren't we wouldn't carry them. Music plays an important role in setting the atmosphere of the shop. Who are 5 artists we might hear in L&F? Haha. You are asking the wrong person. I've lost all control over the music. But if I had a choice, right now I would say Madvillian, The Frightnrs, Freddie Gibbs and Madlib, Frank Ocean and Kanye. Again, this will change but these have been in heavy rotation for me. Styles are always changing. What are 5 trends you've been seeing in FW20 that you're into? I don't really know trends as we kind of avoid them at the shop but here are some highlights for me right now. The colour purple, toques by Norse [Projects], PAA and Homespun have some great sweaters, pants by engineered garments this season are amazing and I'm all about the Viberg boots lately. As for trends, if you follow those you're bound to make mistakes. Tried and true. COVID has taken us all for a ride. What are your 5 tips to survive these trying times? Keeping a positive attitude is the number one thing! Exercise Eat healthy Take supplements When you can, hug someone you love <3 Top 5 pieces in your rotation? I can rattle this off with my eyes closed. McCoy's cardigan hoodie Engineered Garments painter's pants Nike Air Max 90s Gitman's [Vintage] Camp Shirt Any graphic tee I can get my hands on Lastly, How are you feeling about retail in general these days? This is tough. I think the retail realm is always interesting. From brands, to fabrics to stores. Curation is what really gets me. I'm always impressed with stores who have a different interpretation of a brand. I mean retail is really at a cross roads right now in terms of how they operate. Online has been a huge piece of our operation but we love the in store experience and don't want that to change regardless of the changing climate.

Alpha/Beta: The Next Chapter With Raised by Wolves Our friends at Raised by Wolves sent us some pieces from their upcoming collection to check out. The 200 piece collection is made entirely of upcycled, reworked and repurposed garments from overstock, samples, returns and leftover fabric from a decade of past seasons, with the purpose of giving old pieces a new life. We connected with Raised by Wolves owner and mastermind behind the collection, Cal Green, to learn more about the inspiration behind Alpha/Beta, the all-natural design process and what he thinks a collection like this can mean for the future of the brand and fashion industry as a whole. Lookbook Photos: William Smith Model: Marisa Gallemit 2 Years of Planning. 10 years In The Making. One day I was in my office and saw this wall of boxes behind me. Over the last ten years we had overproduced certain collections, had accumulated a ton of samples, held onto returned items or defects, etc. When COVID hit, most of our factories shut down so we knew we needed to find a way to make do with what we had and find a way to sell all of these older clothes by repurposing them. The first project was making face masks in Ottawa and that's what sparked the idea to create a full collection which would become Alpha/Beta. Where does the name Alpha/Beta come from? The name is in reference to the hierarchy of a wolf pack. The Alpha line gets access to the most interesting materials and older samples. It's more experimental and is a lot of outerwear and pants. The Beta line is made up of derivatives from the Alpha line and are more simplified. This will be things like tees and sweatshirts. We've also built out a Delta line which is some homewares and other accessories made from scraps, like keychains, coasters, wooden and incense holders. With this new thought process behind production and design, how is Raised by Wolves thinking about its ecological footprint? I'm hypersensitive to overproduction now. It definitely won't be an afterthought anymore. I think with this, Alpha/Beta will evolve over time. With this collection, we've produced maybe 200 pieces but that's just scratching the surface of the inventory we had. I ended up donating about forty-thousand dollars worth of clothing to local youth organizations in Ottawa. I figured it was better to give the product to someone that will value it than get rid of it another way or destroy it, which was never an option. Created by hand around North America The majority of the pieces in the collection were all reworked by hand and treated with natural techniques to give unique looks to each garment. Black bean dye Beach dye Rust dye Flame finishing on demin Hand-stitched sashiko Apparel by: @atelier_dnhn (Montreal, Quebec) Quilts by: @e_patton (Dayton, Ohio) How will this collection play into the future of Raised by Wolves? I've thought about doing something like Patagonia's Worn Wear program that encourages people to send their gear back when they're done with it and then we repurpose it for Alpha/Beta. It doesn't even have to be Raised by Wolves product. It could be vintage denim or band tees. Ever since I've started working on this project, I've seen a lot of brands that I really respect doing similar programs. So, I definitely think we're headed in the right direction, for sure. Big shoutout to Raised by Wolves for giving us an early look at the new collection! Check out the Pier Five Instagram for more content on some of the incredible pieces. Make sure to keep up with Raised by Wolves on Instagram for more information on the Alpha/Beta collection dropping this month and keep it locked to Pier Five for more conversations with the coolest entrepreneurs, designers, artists, activists and more out there.

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The May Roundup Welcome to Pier Five monthly round ups, a look back at some of the people, brands & things that caught our eye this month that we thought you should know about. Mentl Sesh x Staple We were pumped to see our friend Liz Beecroft join forces with Jeff Staple to come up with the “A Staple of Your Wellbeing” collection. The collection is intentional in helping provide actual tools & resources to improve our daily mental health practices and features a journal, pill box & stress reliever in addition to some apparel items. All profits will be donated to the Made of Millions Foundation, a non profit organization focused on changing how the world perceives mental health. The collection is currently still available here. Collegium “Customs & DIY” Collegium is an emerging sneaker brand based in California that has caused quite the storm with it’s clean retro-inspired silhouettes, well thought out colourways and premium Italian made construction. Their sneakers have recently been a staple for customizations, namely the “Vintage Sapphire Metallic Destroyers” created by well known customizer @Andu.c and the “Dip Dye” pack by @bahb.o worn by NBA star Russel Westbrook and Formula One driver Lewis Hamilton respectively. Also tune in to Collegium’s Instagram for news on an upcoming collaboration with sneaker YouTube star Richie Le. Styll 59/50 Caps If you’re into New Era fitted caps then you need to check out Styll. Bringing together unique colour combinations, patches and embroidery detailing, Styll is taking your boring old team caps to the next level. Our favourite right now is the Blue Jays - Toronto bias of course - “Cherry Blossom” cap that was recently released. Make sure to follow @styll.ca and keep an eye out for your team as their drops come and go very quickly. Bricks & Wood x New Balance This past week, Bricks & Wood paid homage to its roots of South Central Los Angeles with a special edition collaboration with New Balance on the NB57/40. Bringing together premium materials and a beautiful colour palette of green, brick red and light yellow, the pair was inspired by The Liquor Bank, a staple in the Crenshaw District of SCLA. Down to the packaging (each pair comes with an awesome paisley box), this pair is one for the books! The release was also supported by an awesome apparel and accessories collection dawning the same palette and paisley motif. The Forest Hill Collection by Studio S Sylvia Hoang, owner of home goods and apparel brand Studio S recently graced the world with her latest release featuring new concrete sneaker planters and a tasteful sweatsuit set that will keep your home and back looking fresh this summer. We recently had the chance to speak with Sylvia on her latest drop (read the interview here) and while most of the collection is now sold out, make sure to follow Studio S on Instagram as a restock is coming soon! Stay tuned to The Roundup series to discover the coolest new people, brands and releases each month and keep it locked to all of Pier Five for stories and interviews with our favourite designers, entrepreneurs, creators and more.

2024 Recipient: The Magpie Cakery Explore the Mastercard x Pier Five Small Business Fund Introducing The Magpie Cakery, one of the ten recipients of the Mastercard x Pier Five Small Business Fund 2024! Founders: Libby Brewer-Dulac & Maggie Frith Location: Toronto, ON Discover Mess Hall online: Website // Instagram About The Magpie Cakery The Magpie Cakery is a commercial kitchen space and hub for culinary professionals, built with the goal of empowering emerging entrepreneurs in the food space to launch and grow their own businesses. The Magpie Cakery residents gain access to a vibrant community, a storefront for customer interaction, and resources that act as a launchpad for success. Since early 2023, The Magpie Cakery has welcomed 24 small food businesses, with residents achieving milestones like securing wholesale clients and growing revenue. With big plans for the future, including an expansion of their space and a new business education program, the Magpie Cakery will look to increase the potential of its offerings for residents to help them thrive and achieve long-term success. How will the fund make an impact with your business? The mentorship from Mastercard, combined with Pier Five’s support, will be instrumental in ensuring our initiatives drive measurable success. We plan to use the $10,000 CAD grant to fund kitchen renovations and equipment, develop a business education program, grow outreach efforts to support women-led food startups, and offset increased operating costs. Expanding our kitchen space will double our capacity for residency clients, prioritizing bakers and women entrepreneurs. With these enhancements, we can provide immediate benefits and long-term growth opportunities for our residents. What is your long term goal for the company? Within the next 3-5 years, our goal is to support the launch of 10 new women-led food businesses annually through our residency program, with some residents staying for extended six-month terms to hone their craft. We plan to fully optimize our current space and pursue partnerships with George Brown College and other local culinary and community organizations to reach more early-stage women entrepreneurs. Additionally, we aim to host baking workshops and events that showcase our resident bakers, foster community connections, and provide local residents with opportunities to learn new skills and celebrate the art of baking. Learn more about the Mastercard & Pier Five Small Business Fund, and discover the other 2024 recipients here.